In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
At this dramatic and breathless point in Tuggie’s flip-nourished and
quickly growing tale, credulous Debby, whose slow-working brain had
failed to grasp all the vivid details in the black woman’s fervid and
imaginative description, interjected this gasping comment: “It must ha’
been the devil or the creeper.”
Benny jumped from his chair and stamped his foot, and at once burst
into a loud laugh of intense relief, and with cheerful bravado began
to explain animatedly to his open-mouthed cronies that of course anyone
could see that Tuggie’s sheep-chasing witch was only the creeper sheep
in her new fleece, and he offered swaggeringly to go out alone to the
field to bring the ewe in to prove it.
The old negress sprang to her feet, insulted and enraged at the jeering
laughter and rallying jokes, and advanced threateningly toward him.
Then, as if with a second thought, she stopped with a most malicious
look, and in spite of Debby’s conciliatory explanations and her
soothing expressions “that it might have been Mum Amey after all,”
she thrust aside Benny’s proffered mollification of a fresh mug of
flip, seized her crushed basket, stalked to the door, and left the
house muttering, vindictively: “High time to stop such unrageous
goin’s-on--dressin’ up sheeps like debbils--scarin’ an ole woman to
death an’ breakin’ all her aigs! Ole Tuggie Bannocks ain’t forgot how
to burn a project! Guess dey won’t larf at witches den!”
And surely enough--as days passed it could plainly be seen that
the old negress had carried out her threat--for the chimney was
“conjured”--was “salted.” On windy nights the shepherd and his wife
were sure they could hear Tuggie dancing and stamping on the roof,
and she blew down smoke and threw down soot, and she called down the
chimney in a fine, high, shrieking voice: “I’ll project ye, Benny; I’ll
project ye.” And she burnt the cakes before the fire, and the roast
upon the spit, and thrice she snapped out a blazing coal and singed a
hole in Debby’s best petticoat, though it was worn wrong side out as a
saving-charm. And Benny could see, too, that the old ram was bewitched.
The remainder of the flock soon became accustomed to the sight of
Nanny’s funny false fleece, but he always fled in terror at her
approach. He grew thin and pale (or at any rate faded), and he would
scarcely eat when Nanny was near. Debby despairingly tried a few feeble
counter-charms, or “warders,” but without avail. When sheep-shearing
time came, however, and Nanny, shorn of her uncanny fleece and clothed
in her own half-inch snowy wool, took her place with the other
short-clipped members of the flock, he ceased to be “witch-rid”--the
“project,” the “conjure” was worked out. He grew fat and fiercely
brave, and became once more the knight of the field, the lord of the
domain, the patriarch, the potestate of his flock.
Public-domain text, read in full here on John Shaqi.
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