American essays; Convents; Eden Hall (Torresdale, Pa.); Pennell, Elizabeth Robins, 1855-1936; Repplier, Agnes, 1855-1950
But now the story which we thought just begun was drawing swiftly to
its close. Perhaps matters had reached a point when something had
to happen; yet it did seem strange--it seems strange even now--that
the crisis should have been precipitated by a poetic outburst on the
part of Elizabeth. Of all the six, she was the least addicted to
poetry. She seldom read it, and never spent long hours in copying it
in a blank-book, as was our foolish and laborious custom. She hated
compositions, and sternly refused the faintest touch of sentiment when
compelled to express her thoughts upon "The First Snow-drop," or "My
Guardian Angel," or the "Execution of Mary, Queen of Scots." Tony wrote
occasional verses of a personal and satiric character, which we held
to sparkle with a biting wit. Annie Churchill had once rashly shown
to Lilly and to me some feeble lines upon "The Evening Star." Deep
hidden in my desk, unseen by mortal eye save mine, lay an impassioned
"Soliloquy of Jane Eyre," in blank verse, which was almost volcanic in
its fervour, and which perished the following year, unmourned, because
unknown to the world. But Elizabeth had never shown the faintest
disposition to write anything that could be left unwritten, until
Marianus stirred the waters of her soul. That night, that moonlit
night, and the dark figure smoking in the shadows, cast their sweet
spell upon her. With characteristic promptness, she devoted her French
study hour the following afternoon to the composition of a poem, which
was completed when we went to class, and which she showed me secretly
while we were scribbling our _dictée_. There were five verses, headed
"To Marianus," and beginning,--
"Gracefully up the long aisle he glides,"
which was a poetic license, as the chapel aisle was short, and Marianus
had never glided up it since he came. He always--in virtue of his
office--entered by the sacristy door.
But realism was then as little known in literature as in art, and
poetry was not expected to savour of statement rather than emotion.
Elizabeth's masterpiece expressed in glowing numbers the wave of
sentiment by which we were submerged. Before night it had passed
swiftly from hand to hand, and before night the thunderbolt had
fallen. Whose rashness was to blame I do not now remember; but, thank
Heaven! it was not mine. Some one's giggle was too unsuppressed. Some
one thrust the paper too hurriedly into her desk, or dropped it on
the floor, or handed it to some one else in a manner too obviously
mysterious not to arouse suspicion. I only know that it fell into the
hands of little Madame Davide, who had the eyes of a ferret and the
heart of a mouse, and who, being unable to read a word of English, sent
it forthwith to Madame Bouron. I only know that, after that brief and
unsatisfactory glimpse in French class, I never saw it again; which
is why I can now recall but one line out of twenty,--a circumstance I
devoutly regret.
Public-domain text, read in full here on John Shaqi.
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