"First of all, I must introduce myself a little more fully than the
very obscure name on my card can have done," began the artist, without
the slightest trace of embarrassment. (She had begun immediately upon
her entrance to study the head, as though at a regular sitting.) "I am
a painter; that is the sole excuse I have for my intrusion upon you. I
met you a short time ago at the Pinakothek. It can hardly be a novelty
to you to have people stop when you go by, or even follow you. But that
a person should intrude into your very house does seem a little too
much. My honored Fräulein, or should I call you Madame?" (the stranger
shook her head slightly) "I do not know whether you, too, have a
prejudice against women-artists? If you have, I shall certainly appear
to you in a very bad light. And it is true, I must say that this
meddling with brushes and colors doesn't particularly become many of my
colleagues. Although the nine Muses are women, our sex easily get by
association with them an unwomanly touch that is not by any means to
their advantage.--Oh, please keep that position just an instant; the
three-quarters face is especially effective in this light! Yes, it is
true, Fräulein, I myself know women-artists who think it is prosaic to
put on a clean collar or darn a stocking. And yet--"
"If you would only be kind enough to tell me the motive of your
visit--"
"I was just coming to that. I had really a double motive. First, to beg
your pardon if I drove you away from the gallery by my persistent
staring. You see, my dear Fräulein--oh, please bend your head a
little--so! If you could only see how capital that is--that _chiar'
oscuro_--and what glorious hair you have! I see you think I am fairly
crazy, treating you like a model in the first ten minutes! But so much
the better; you will know at once what we are coming to. I am really,
you must know, not quite responsible for my actions when I see anything
that greatly delights me; and however lacking my talents may be in the
power to produce anything beautiful from mere imagination, I have
attained a real mastery in the discovery, the enjoyment, and admiration
of true living beauty. The moment I saw you afar off--no, you must not
turn away, dear Fräulein. How can you help it, and what sin is it, if
an honest artist-soul--of your own sex, too--expresses its delight in
and admiration for your beauty? It seems petty to me, the way that many
people keep such a gift of God hidden--or pretend to. There are some
little doll-like faces, it is true, whose chief charm lies in the fact
that they always seem to be ashamed of their own prettiness. But you,
Fräulein--such a classic head--please turn for once fully round toward
the light--a pure Palma Vecchio, I tell you--"
Public-domain text, read in full here on John Shaqi.
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