In Search of Gravestones Old and CuriousVincent, W. T. (William Thomas)
History
In Search of Gravestones Old and Curious
Vincent, W. T. (William Thomas)
Sepulchral monuments
Eternity is usually, as we have seen, represented by an endless
ring--often as a serpent. It is so in the Southfleet sketch, in which
appear the two horns of the archangels, and the living torch, with
some other objects which are not quite clearly defined.
FIG. 46.--AT SOUTHFLEET.
"To John Palmer, died 1781, aged 61 years."
In another selection from Wilmington the winged hour-glass may be read
as the flight of time, the cloud is probably the future life, and the
bones below convey their customary moral.
FIG. 47.--AT WILMINGTON.
"To Ann Parsons, died Nov. 3, 1777, aged
60 years."
Sometimes, but not often, will be found engraved on a stone the
suggestive fancy of an axe laid at the foot of a tree, or some
metaphorical figure to the same intent. An instance occurs at
Lewisham in which the idea is conveyed by the pick and shovel under a
flourishing palm.
FIG. 48.--AT LEWISHAM.
"To Thomas Lambert, died Nov. 25, 1781,
aged 59 years."
A symbol so simple and yet so significant as this is scarcely to be
surpassed. One almost in the same category is the following, a small
anaglyph in Bunhill Fields Burial-ground, London.
FIG. 49.--AT BUNHILL FIELDS, LONDON.
"To Elizabeth Sharp, who died Oct. 20, 1752,
aged 31 years."
It is easy to read in this illustration the parable of death
destroying a fruitful vine, and as a picture it is not inelegant. It
is more remarkable as being, so far as I can find, the one solitary
instance of an allegorical gravestone among the thousands of
gravestones in the vast and carefully guarded burial-place in the City
Road. Strictly speaking, death's heads and crossbones are allegorical,
but these must be excepted for their very abundance and their lack of
novelty. Possibly, also, the lichen, damp, and London climate, which
have obliterated many of the inscriptions in this old cemetery, may
have been fatal to the low relief which is requisite for figure work
of the kind under consideration. But Bunhill Fields and similar places
in and near London and other great towns have taught me the law to
which I have already referred--the law that the picture-tombstone was
country bred, and could never have endured under the modern conditions
of life in or near the centres of civilization.
There are exceptions, perhaps many, to this ruling, as there are
exceptions to every other. For instance, a stone at the grave of a
Royal Artillery Officer in Woolwich Churchyard combines the emblems
of his earthly calling with those of his celestial aspirations in
a medley arrangement not unusual in rural scenes, but hardly to be
reconciled with the education and refinement of a large garrison and
school of military science which Woolwich was in 1760. This must be
set down as one of the exceptions which prove the rule.
FIG. 50.--AT WOOLWICH.
"To Lieut. Thomas Sanders, late of the Royal
Regiment of Artillery, who died March
1760, aged 60 (?) years."
Public-domain text, read in full here on John Shaqi.
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