To tempt the reader therefore to take up the study which I have found so pleasant, so healthful, and so interesting, I now propose to place in order the proceeds of a few of my rambles, and shew how much success the reader may also expect in similar expeditions. His or her stock-in-trade should consist of a good-sized note-book or sketch-book of paper not too rough for fine lines, a B B pencil of reliable quality, and a small piece of sandstone or brick to be used in rubbing off the dirt and moss which sometimes obscure inscriptions. No kind of scraper should ever be employed, lest the crumbling memorial be damaged; but a bit of brick or soft stone will do no harm, and will often bring to view letters and figures which have apparently quite disappeared. If a camera be taken, a carpenter's pencil may be of service in strengthening half-vanished lines, and a folded foot-rule should always be in the pocket. A mariner's compass is sometimes useful in strange places, but the eastward position of a church will always give the bearings, and a native is usually to be found to point the way. A road map of the county which you are about to explore, or, if in the vicinity of London, one of those admirable and well-known handbooks of the field paths, is useful, and the journey should be carefully plotted out before the start. A friend and companion of congenial tastes adds, I need not say, to the enjoyment of the excursion. My constant associate has happily a craze for epitaphs, but does not fancy sketching even in the rough style which answers well enough for my work, and I have had therefore no competitor. Together we have scoured all the northern part of Kent and visited every Kentish church within twenty miles of London. The railway also will occasionally land us near some old church which we may like to visit, and it was while waiting half an hour for a train at Blackheath station that I picked up the accompanying choice specimen in the ancient burial-ground of Lee. FIG. 64.--AT LEE. "To Eliza Drayton, died 11th May, 1770." In this allegory Time appears to be commanding Death to extinguish the lamp of Life. The sun may mean the brighter life beyond. The building to the right is an enigma.