"I can't believe it--after what you know of me--"
"Kay!"
"I'm sorry--but a scar is a scar--"
"There is no scar! Do you hear me! No scar, no stain! Don't you
suppose a woman can judge? And I have my own opinion of you,
Kay--and it is a perfectly good opinion and suits me."
She smiled, closed her eyes as though closing the discussion, opened
them and smiled again at him.
And now, as always, he wondered how this fair young girl could find
courage to smile in the very presence of the most dreadful death any
living woman could suffer--death from the Hun.
He lay looking at her and she at him, for a while.
In the silence, a dry stick snapped and McKay was on his feet as
though it had been the crack of a pistol.
Presently he stooped, and she lifted her pretty head and rested one
ear close to his lips:
"It's that roebuck, I think, down stream." Then something happened;
her ear touched his mouth--or his lips, forming some word, came into
contact with her--so that it was as though he had kissed her and she
had responded.
Both recoiled; her face was bright with mounting colour and he
seemed scared. Yet both knew it was not a caress; but she feared he
thought she had invited one, and he feared she believed he had
offered one.
He went about his affair with the theoretical roebuck in silence,
picking up one of his pistols, loosening his knife in its sheath;
then, without the usual smile or gesture for her, he started off
noiselessly over the moss.
And the girl, supporting herself on one arm, her fingers buried in
the moss, looked after him while her flushed face cooled.
McKay moved down stream with pistol lifted, scanning the hard-wood
ridges on either hand. For even the reddest of roe deer, in the
woods, seem to be amazingly invisible unless they move.
The stream dashed through shadow and sun-spot, splashing a sparkling
way straight into the wilderness of Les Errues; and along its
fern-fringed banks strode McKay with swift, light steps. His eyes,
now sharpened by the fight for life--which life had begun to be
revealed to him in all its protean aspects, searched the dappled,
demi-light ahead, fiercely seeking to pierce any disguise that
protective colouration might afford his quarry.
Silver, russet, green and gold, and with the myriad fulvous nuances
that the forest undertones lend to its ensembles, these were the
patterned tints that met his eye on every side in the subdued
gradations of woodland light.
But nothing out of key, nothing either in tone, colour, or shape,
betrayed the discreet and searched for discord in the vague and
lovely harmony;--no spiked head tossed in sudden fright; no
chestnut flank turned too redly in the dim ensemble, no delicate
feet in motion disturbed the solemn immobility of tree-trunk and
rock. Only the fern fronds quivered where spray rained across them;
and the only sounds that stirred were the crystalline clash of icy
rapids and the high whisper of the leaves in Les Errues.
Public-domain text, read in full here on John Shaqi.
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