And, as he stood motionless, every sense and instinct on edge, his
eyes encountered something out of key with this lovely, sombre
masterpiece of God. Instantly a still shock responded to the
mechanical signal sent to his eyes; the engine of the brain was
racing; he stood as immobile as a tree.
Yes, there on the left something was amiss,--something indistinct
in the dusk of heavy foliage--something, the shape of which was not
in harmony with the suave design about him woven of its Creator.
After a long while he walked slowly toward it.
There was much more of it than he had seen. Its consequences, too,
were visible above him where broken branches hung still tufted with
bronze leaves which no new buds would ever push from their dead
clasp of the sapless stems. And all around him yearling seedlings
had pushed up through the charred wreckage. Even where fire had
tried to obtain a foothold, and had been withstood by barriers of
green and living sap, in burnt spaces where bits of twisted metal
lay, tender shoots had pushed out in that eternal promise of
resurrection which becomes a fable only upon a printed page.
McKay's business was with the dead. The weather-faded husk lay there
amid dry leaves promising some day to harmonise with the scheme of
things.
Mice had cleaned the bony cage under the uniform of a British
aviator. Mice gnaw the shed antlers of deer. And other bones.
The pockets were full of papers. McKay read some of them. Afterward
he took from the bones of the hand two rings, a wrist-watch, a
whistle which still hung by a short chain and a round object
attached to a metal ring like a sleigh-bell.
There was a hollow just beyond, made once in time of flood by some
ancient mountain torrent long dry, and no longer to be feared.
The human wreckage barely held together, but it was light; and McKay
covered it with a foot of deep green moss, and made a cairn above it
out of glacial stones from the watercourse. And on the huge beech
that tented it he cut a cross with his trench-knife, making the
incision deep, so that it glimmered like ivory against the silvery
bark of the great tree. Under this sacred symbol he carved:
"SIR W. BLINT, BART."
Below this he cut a deep, white oblong in the bark, and with a coal
from the burned airplane he wrote:
"THIS IS THE BEGINNING, NOT THE END. THIS ENGLISHMAN STILL CARRIES
ON!"
He stood at salute for a full minute. Then turned, dropped to his
knees, and began another thorough search among the debris and dead
leaves.
"Hello, Yellow-hair!"
She had been watching his approach from where she was seated
balanced on the stream's edge, with both legs in the water to the
knees.
He came up and dropped down beside her on the moss.
"A dead airman in Les Errues," he said quietly, "a Britisher. I put
away what remained of him. The Huns may dig him up: some animals do
such things."
"Where did you find him, Kay?" she asked quietly.
Public-domain text, read in full here on John Shaqi.
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