So he went to his lodgings; and there, having changed his dress, he
found himself with the evening before him. He walked round to his club,
read one or two letters that awaited him, went up to the smoking-room
and found not a human being in the place—nothing but empty easy-chairs,
chess-board tables, dishevelled magazines, and a prevailing odour of
stale cigars—and then he went out and proceeded in the direction of the
theatre in which Annie Brunel was at that moment playing. That goal had
been uppermost in his thoughts ever since he left Calais pier in the
morning.
The tall, pale, muscular man—and people noticed that he had his right
arm in a sling—who now paid his four or five shillings, walked upstairs,
and slunk into the back seat of the dress-circle, was as nervous and as
much afraid of being seen as a schoolboy thieving fruit. Perhaps it was
the dread of seeing, as much as the fear of being seen, that made his
heart beat; perhaps it was only expectation; but he bethought himself
that in the twilight of the back seats of the circle his figure would be
too dusky to be recognised, especially by one who had to look—if she
looked at all—over the strong glare of the footlights.
The act drop was down when he entered—the orchestra playing the last
instalment of Offenbach’s confectionery music. The whole house was in
the act of regarding two young ladies, dressed as little as possible in
white silk, with wonderful complexions, towers of golden hair on their
heads, and on their faces an assumed unconsciousness of being stared at,
who occupied a box by themselves. The elder of them had really
beautiful features of an old French type—the forehead low and narrow,
the eyelids heavy, the eyes large, languid, melancholy, the nose thin
and a little _retroussée_, the mouth small, the lips thin and rather
sad, the cheeks blanched and a trifle sunken, the line of the chin and
neck magnificent. The beautiful, sad woman sate and stared wistfully at
the glare of the gas; sometimes smiling, in a cold way, to her
companion, a plump, commonplace beauty of a coarse English type, who had
far too much white on her forehead and neck. Together, however, they
seemed to make a sufficiently pretty picture to provoke that stolid
British gaze which has something of the idiot but more of the animal in
it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account