When the curtain rose again the spectators found themselves in Arden
forest, with the Duke and his lords before them; and they listened to
the talk of these poor actors as though they heard some creatures out of
the other world converse. But from Will Anerley all the possibility of
this generous delusion had fled. He shrank back, lest some of the men
might have recognised him, and might carry the intelligence of his
presence to Annie Brunel. Perhaps the Duke had just spoken to her;
perhaps she was then looking on the scene from the wings. It was no
longer Arden forest to him. The perspective of the stream and of the
avenues of the trees vanished, and he saw only a stained breadth of
canvas that hid _her_ from his sight. Was she walking behind that
screen? Could the actors on the stage see her in one of the entrances?
And was it not a monstrous and inconceivable thing that these poor,
wretched, unambitious, and not very clean-shaven men were breathing the
same atmosphere with her, that they sometimes touched her dress in
passing, that her soft dark eyes regarded them?
You know that ’Rosalind’ comes into this forest of Arden weary,
dispirited, almost broken-hearted, in company with the gentle ’Celia’
and the friendly ’Touchstone.’ As the moment approached for her
entrance, Anerley’s breath came and went all the quicker. Was she not
now just behind that board or screen? What was the expression of her
face; and how had she borne up against the dull welcome that awaited her
in England? He thought he should see only ’Rosalind’ when she came upon
the stage—that Annie Brunel might now be standing in the wings, but that
’Rosalind’ only would appear before him.
Public-domain text, read in full here on John Shaqi.
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