"Mr. Anerley has spoken to me about you," said Annie Brunel; and Dove
was conscious that the dark-haired girl before her knew her secret.
How singular it was to hear herself addressed in those low, rich tones
which a few minutes ago were addressing Romeo in the moonlight! Dove
almost felt herself enchanted; and could have believed at that moment
that she herself belonged to the old, sad, sweet play, which seems to
contain everything that was ever uttered about man’s love and woman’s
devotion.
"I must go down to my dressing-room now," said Miss Brunel to Dove.
"Will you come with me, if you are curious to see the place? I will
send some one round with you to your box afterwards."
Will saw that Dove would like to go, so he settled the proposal by
telling her not to be in Miss Brunel’s way; and then he and Melton
returned to the front of the house.
Dove was now conducted by her companion down into the theatrical Hades
which lies beneath the stage. She saw the figures of the carpenters
gliding like the spirits of the damned through the dusky twilight; she
saw the cumbrous woodwork, the machinery of the traps, and what not,
rendered faintly visible by the glimmering jets; and then she was led
into the bright little room which was appropriated to Miss Brunel’s use.
"You may go home if you like, now, Sarah," said the latter to her
dresser. "Mrs. Christmas is in the theatre, and will be here
presently."
"Thank you, miss," said the tidy little woman, who immediately hurried
away home to get supper ready for her husband, a gasman in the theatre.
It was the best single dressing-room in the place; but it was not a very
grand apartment. There was, however, a full-length mirror at one end,
which had been privately presented (with a hint as to its destination)
by Count Schönstein to Mr. Melton; and the manager had thought that the
least _he_ could do was to newly paper the little chamber. At present
it was in a state of confusion which largely excited Dove’s curiosity.
The implements of stage effect were displayed before her, on the floor,
on the table, and on the marble slab underneath the smaller
looking-glass; and all around lay or hung divers articles of costume and
ornament, the peculiarly bright materials and prominent decorations of
which were very new to her. But it needed only a glance at Juliet’s
clear, beautiful face to see that she required very little "making-up,"
nor was Dove less surprised to find that the lace and similar little
delicacies of the young actress’s costume were real and valuable.
"My mother taught me to make all these things myself," she explained to
Dove. "She was very particular about them; and used to say that when
one meant to spend one’s life in a profession, one ought to have as much
pride in wearing real lace on the stage as out of doors."
"And do you mean to spend all your life in your profession?" asked Dove,
timidly.
"Yes; why not?" said the girl, with a smile.
Public-domain text, read in full here on John Shaqi.
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