"And something of the same kind," she continued, with her merry little
eyes sparkling, "happened to Mr. ——, the celebrated author, you know,
with Nelly Featherstone, who is in this theatre at the present moment—or
ought to be. You know it was a benefit night, Miss—Anerley?—yes, Miss
Anerley; and there was a general hurry-scurry, and he had been left in
the wings. He asked a super how he should get to Mr. Crimp (and it was
his benefit, my dear, and he had several friends with him, all drinking
in his room), and the man told him to go to the first dressing-room on
the right when he went downstairs. But his right was our left, as you
know, my dear; and there were in the first dressing-room on the left
Nelly Featherstone and her sister, and another girl, all dressing as
hard as ever they could for the burlesque. Nelly was ’Perseus,’ and
before she had got on her tights, she was in—in a transition state,
shall we say, my dear?"
Here the merry little woman laughed until the tears ran down her
withered grey cheeks. "And up to the door goes Mr. ——, and opens it
without thinking. Oh, Lor! what a fright he must have got! Nelly
screamed at the pitch of her voice, and fell into a chair, and screamed
again; and her sister Jeanie (_she_ had some clothes on) ran at the poor
man, and said something very offensive, and slammed the door in his
face. Poor fellow, he nearly died of shame; and Nelly’s scream told
everybody of his blunder, and Crimp and all his friends shrieked over
it—but not before him, my dear, for he was much too celebrated a man to
be laughed at. Only he sent her next day an explanation and an apology
through the manager, and as beautiful a bouquet as ever you saw; and he
got a friend of his to write a lovely notice of her in the _Diurnal_
itself, when old Yellowjaw’s piece was—Mercy, gracious me! There’s the
call-boy again—run, Miss Annie!"
"Good-bye," said Miss Brunel, hurriedly, shaking hands with Dove. "I
should like you to come often and see me."
She bent over her for a moment, kissed her lightly, and left.
Public-domain text, read in full here on John Shaqi.
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