In Sunny Spain with Pilarica and RafaelBates, Katharine Lee
General
In Sunny Spain with Pilarica and Rafael
Bates, Katharine Lee
Children -- Spain -- Juvenile literature
Uncrushed by all this weight of masculine authority, Pilarica threw
kisses to her three guardians as long as they were in sight and then
flashed into the midst of the dancing circle, where she was welcomed
with a gleeful shout. Carmencita clamored, as always, for _Little White
Pigeons_, and so the children divided into two opposite rows, each line
in turn clasping hands and lifting arms while the other danced under, as
the song indicates:
“Little white pigeons
Are dreaming of Seville,
Sun in the palm tree,
Roses and revel.
Lift up the arches,
Gold as the weather.
Little white pigeons
Come flying together.
“Little white pigeons
Dream of Granada,
Glistening snows on
Sierra Nevada.
Lift up the arches,
Silver as fountains.
Little white pigeons
Fly to the mountains.”
Then they played Hide-and-Seek in their own special fashion. The first
seeker was Pepito, who sat doubled over, with his chubby palms pressed
tight against his eyes, while the others slipped softly into their
hiding-places, all except Pilarica, who, as the Mother, stood by and
gave Pepito his signal for the start by singing:
“My nightingales of the Alhambra
Forth from the cage are flown.
My nightingales of the Alhambra
Have left me all alone.”
After they were tired of this, Isabelita called for Butterfly Tag and
was chosen, because of her pink frock--torn though it was,--to be the
Butterfly. Forming in a close circle about her, the children lifted her
dress-skirt by the border and held it outspread, while Pilarica, on the
outside, danced round and round the ring, fluting like a bird:
“Who are these chatterers?
Oh, such a number!
Nor by day nor by night
Do they let me slumber.
They’re daughters of the Moorish king
Who search the garden-close
For lovely Lady Ana,
The sweetest thing that grows.
She’s opening the jasmine
And shutting up the rose.”
Then the children all at once lifted the pink frock and wrapped it about
Isabella’s head, while Pilarica, dancing faster than ever, led them in
singing seven times over:
“Butterfly, butterfly,
Dressed in rose-petals!
Is it on candle-flame
Butterfly settles?
How many shirts
Have you woven of rain?
Weave me another
Ere I call you again.”
Suddenly they varied the song:
“Now that Lady Ana
Walks in garden sweet,
Gathering the roses
Whose dew is on her feet,
Butterfly, butterfly,
Can you catch us? Try it, try!”
In an instant the circle had broken and scattered, while the Butterfly,
blinded and half smothered in the folds of the skirt, dashed about as
best she could, trying to catch one or another of her teasing playmates.
Public-domain text, read in full here on John Shaqi.
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