In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"Kloss, C. Boden (Cecil Boden)
History
In the Andamans and Nicobars: The Narrative of a Cruise in the Schooner "Terrapin"
Kloss, C. Boden (Cecil Boden)
Andaman and Nicobar Islands (India) -- Description and travel; Natural history -- India -- Andaman and Nicobar Islands
The interior and contents of the house were very similar to what we had
already seen in Trinkat. Opposite the door stood the fireplace--a bed of
clay on the floor--above which was a mantle-shelf or rack, where are
kept pots, baskets, trays, etc. A grated floor formed a small chamber
immediately under the roof, where baskets and odds-and-ends are stowed
away. Several boxes, packed with the family possessions of cotton and
spoons, stood against the walls, on which hung various charms--small
figures (_kareau_), carved scrolls, tassels of palm leaf, and pigs'
skulls--all for scaring away devils. Hanging in the centre was a grass
string, with a few small coconuts attached: these are for the purpose of
feeding the house, and are periodically renewed: the object so nourished
does not seem possessed of much acumen, however, for small green nuts,
which have been blown down or have fallen from disease, seem quite good
enough to sustain it. The house also contained some almost life-sized
human figures (_odiau_), carved from wood, painted and clothed. These
were not at all badly shaped, and show an appreciation of anatomical
detail unusual among uncivilised people. The shape of the Nicobarese
head, and the peculiar angle at which the teeth are set, were well
noticed: the swelling muscles, the toes and fingers, even the sharpness
of the shin-bone in front of the leg, and the form of the knee-cap, were
faithfully copied. They were all supplied with a piece of rancid pork
hung from the neck or placed in the mouth.[46]
Several pictures (_hentá_) drawn on slabs of wood were placed against
the walls. These originate from an attack of fever. They are drawn by
the village artist by order of the doctor (_menlúana_), who tells him
what he should make. The latter is paid in kind for his work. Of
frequent occurrence are pigs, crocodiles and coconut trees, whilst
almost always there appears a scene of men seated at a table and
drinking rum from large glasses. If the patient make a good recovery,
the picture is kept as a potent charm, since it has been successful in
scaring away the spirits of illness; otherwise, it is thrown away. A
bird (_kaláng_)[47] commonly made during fever will also produce
recovery.
Public-domain text, read in full here on John Shaqi.
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