In the Arena: Stories of Political Life — John Shaqi
In the Arena: Stories of Political LifeTarkington, Booth
General
In the Arena: Stories of Political Life
Tarkington, Booth
Political fiction, American; United States -- Social life and customs -- Fiction
“My Lawd!” The widow lifted amazed hands to heaven. “De impidence er
dem Dagoes! _Little_ mo' an' dey'll be sen'in' messages to you
er me!--What her name?”
“Name Bertha Grass,” responded Mrs. Morton, “an', nigh as I kin make
out, she live in one er dese little w'ite-paint cottages, right 'long
yere.”
“Yas'm! I knows dat Dutch gal, ole man Grass, de tailor, dass his
niece. W'y, dey done move out dis mawn, right f'um dis ve'y house you
stan'in in front de gate of. De ole man skeered er de smallpox, an' he
mad, too, an' de neighbuhs ask him whuh he gwine, he won't tell; so
mad he won't speak to nobody. None on 'em 'round hyuh knows an' dey's
considabul cyu'us 'bout it, too. Dey gone off in bofe d'rections--him
one way, her 'nother. 'Peah lak dey be'n quollun!”
“Now look at dat!” cried Mrs. Morton dolefully. “Look at dat! Ain't
dat de doggonest luck in de wide worl'! De gyahd he say dat Dago
willin' pay fifty cents a day fo' me to teck an' bring a message eve'y
mawn' tell de quahumteem took off de cellar. Now dat Dutch gal gone
an' loss dat money fo' me--movin' 'way whuh nobody cain't fine 'er!”
“Sho!” laughed the widow. “Ef I'se in you place, Miz Mo'ton, an' you's
in mine, dat money sho'lly, sho'lly nevah would be los', indeed hit
wouldn't. I dass go in t' de do' an' tu'n right 'roun' back ag'in an'
go down to dat gyahd an' say de Dutch gal 'ceive de message wid de
bes' er 'bligin' politeness an' sent her kine regyahds to de Dago man
an' all inquirin' frien's, an' hope de Dago man soon come an' git
'er. To-morrer de same, nex' day de same--”
“Lawd, ef dat ain't de beatenest!” cried Mrs. Morton
delightedly. “Well, honey, I thank you long as I live, 'cause I
nevah'd a wuk dat out by myself an de livin' worl', an' I sho does
needs de money. I'm goin' do exackly dass de way you say. Dat man he
ain' goin' know no diffunce till he git out--an' den, honey,” she let
loose upon the quiet air a sudden, great salvo of laughter, “dass let
him fine Lize Mo'ton!”
Bertha went to live in the tiny room with the canary bird and the
engraving of the “Rock of Ages.” This was putting lime to the canker,
but, somehow, she felt that she could go to no other place. She told
the landlady that her young man had not done so well in business as
they had expected, and had sought work in another city. He would come
back, she said.
She woke from troubled dreams each morning to stifle her sobbing in
the pillow. “Ach, Toby, coultn't you sented me yoost one word, you
_might_ sented me yoost one word, yoost one, to tell me what has
happened mit you! Ach, Toby, Toby!”
The canary sang happily; she loved it and tended it, and the gay
little prisoner tried to reward her by the most marvellous trilling in
his power, but her heart was the sorer for every song.
Public-domain text, read in full here on John Shaqi.
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