"And you don't know it all, Mr. Manager, not you. Your clown-criminal
don't jump into the ring because he's so full of fun he can't stay out.
He goes in for the same reason the real clown does--because he gets
hungry and thirsty and sleepy and tired like other men, and he's got to
fill his stomach and cover his back and get a place to sleep. And it's
because your kind gets too much, that my kind gets so little it has to
piece it out with this sort of thing. No, you don't know it quite all.
"There's a girl named Nancy Olden that could tell you a lot, smart as
you are. She could show you the inside of the Cruelty, where she was
put so young she never knew that children had mothers and fathers, till
a red-haired girl named Mag Monahan told her; and then she was mighty
glad she hadn't any. She thought that all little girls were bloodless
and dirty, and all little boys were filthy and had black purple marks
where their fathers had tried to gouge out their eyes. She thought all
women were like the matron who came with a visitor up to the bare room,
where we played without toys--the new, dirty, newly-bruised ones of us,
and the old, clean, healing ones of us--and said, 'Here, chicks, is a
lady who's come to see you. Tell her how happy you are here.' Then
Mag's freckled little face, her finger in her mouth, looked up like
this. She was always afraid it might be her mother come for her. And
the crippled boy jerked himself this way--I used to mimic him, and he'd
laugh with the rest of them--over the bare floor. He always hoped for
a penny. Sometimes he even got it.
"And the boy with the gouged eye--he would hold his pants up like this.
He had just come in, and there was nothing to fit him. And he'd put his
other hand over his bad eye and blink up at her like this. And the
littlest boy--oh, ha! ha! ha!--you ought have seen that littlest boy.
He was in skirts, an old dress they'd given me to wear the first day I
came; there were no pants small enough for him. He'd back up into the
corner and hide his face--like this--and peep over his shoulder; he had
a squint that way, that made his face so funny. See, it makes you
laugh yourself. But his body--my God!--it was blue with welts! And
me--I'd put the baby down that'd been left on the door-steps of the
Cruelty, and I'd waltz up to the lady, the nice, patronizing, rich
lady, with her handkerchief to her nose and her lorgnette to her
eyes--see, like this. I knew just what graft would work her. I knew
what she wanted there. I'd learned. So I'd make her a curtsy like
this, and in the piousest sing-song I'd--"
Public-domain text, read in full here on John Shaqi.
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