In the Border CountryCrockett, W. S. (William Shillinglaw)
History
In the Border Country
Crockett, W. S. (William Shillinglaw)
Great Britain -- Description and travel
It is true that the railway companies are doing
all in their power to make holidays at home welcome
and inexpensive. Their enterprise in this respect
has no limits. But we cannot live on cheap railway
tickets alone, whether single or return. Something
should be done--and the newspapers could help--to
establish in all attractive districts a reasonable
tariff for board and lodging. It is only thus that
Great Britain will be made popular during the
holiday season, and that the great stream of gold--the
holiday-making Pactolus--will be drawn
from the Continent to nourish our own country
sides and rural folk.
It seems to be certain that, during the reign
of the old stage coach, life in rustic England was
cheaper than it is to-day. At any rate we must
account in some way or other for the immense
number of county histories and illustrated
topographical books which teemed from the press from
the middle of the eighteenth century to the time
of J. M. W. Turner. To study these works is to
be sure that our forefathers took the greatest
delight in their own country, and that huge sums
of money were spent in procuring fine sketches and
adequate engravings. Side by side with these
books on British topography were volumes on
foreign travel, like those by William Alexander,
who in 1792 accompanied Lord Macartney's
embassy to China, where he made many exquisite
sketches, brimful of humour and playful observation.
John Webber, R.A., in 1776, accompanied
Captain Cook on his third and last voyage, and
made a drawing of Cook's death, which Byrne and
Bartolozzi engraved. Two other Royal Academicians,
Thomas and William Daniell, made India
their sketching-ground, and in their great work on
"Oriental Scenery," published in 1808, they devoted
six volumes to a subject as fascinating as it was
unhackneyed. Many other artists, too, travelled
and made sketches for books, ranging from Girtin's
Paris Views to Turner's "Rivers of France," and
from Sir David Wilkie's Eastern sketches, reproduced
in lithography by Nash, to the familiar work of
Prout, Harding, J. F. Lewis, R.A., and Louis Haghe.
Public-domain text, read in full here on John Shaqi.
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