To Cissy, to Mary, whichever it was, she found her curiosity going out with a rush, a mute effusion that floated back to her, like a returning tide, the living colour and splendour of the beautiful head, the light of eyes that seemed to reflect such utterly other things than the mean things actually before them; and, above all, the high curt consideration of a manner that even at bad moments was a magnificent habit and of the very essence of the innumerable things—her beauty, her birth, her father and mother, her cousins and all her ancestors—that its possessor couldn’t have got rid of even had she wished. How did our obscure little public servant know that for the lady of the telegrams this was a bad moment? How did she guess all sorts of impossible things, such as, almost on the very spot, the presence of drama at a critical stage and the nature of the tie with the gentleman at the Hôtel Brighton? More than ever before it floated to her through the bars of the cage that this at last was the high reality, the bristling truth that she had hitherto only patched up and eked out—one of the creatures, in fine, in whom all the conditions for happiness actually met, and who, in the air they made, bloomed with an unwitting insolence. What came home to the girl was the way the insolence was tempered by something that was equally a part of the distinguished life, the custom of a flowerlike bend to the less fortunate—a dropped fragrance, a mere quick breath, but which in fact pervaded and lingered. The apparition was very young, but certainly married, and our fatigued friend had a sufficient store of mythological comparison to recognise the port of Juno. Marguerite might be “awful,” but she knew how to dress a goddess.