Produced by Paul Hollander, Juliet Sutherland, Charles
Franks and the Online Distributed Proofreading Team.
IN THE CLOSED ROOM
by
FRANCES HODGSON BURNETT
Author of Little Lord Fauntleroy and The Little Princess
Illustrations by
Jessie Willcox Smith
LIST OF ILLUSTRATIONS
The playing today was even a lovelier, happier thing than it had
ever been before . . . . Frontispiece
She often sat curving her small long fingers backward
They gazed as if they had known each other for ages of years
"Come and play with me"
She must go and stand at the door and press her cheek against the
wood and wait--and listen
She began to mount the stairs which led to the upper floors
The ledge of the window was so low that a mere step took her
outside
"I'm going up to play with the little girl, mother . . . You
don't mind, do you?"
PART ONE
In the fierce airless heat of the small square room the child
Judith panted as she lay on her bed. Her father and mother slept
near her, drowned in the heavy slumber of workers after their
day's labour. Some people in the next flat were quarrelling,
irritated probably by the appalling heat and their miserable
helplessness against it. All the hot emanations of the sun-baked
city streets seemed to combine with their clamour and unrest, and
rise to the flat in which the child lay gazing at the darkness.
It was situated but a few feet from the track of the Elevated
Railroad and existence seemed to pulsate to the rush and roar of
the demon which swept past the windows every few minutes. No one
knew that Judith held the thing in horror, but it was a truth
that she did. She was only seven years old, and at that age it is
not easy to explain one's self so that older people can
understand.
She could only have said, "I hate it. It comes so fast. It is
always coming. It makes a sound as if thunder was quite close. I
can never get away from it." The children in the other flats
rather liked it. They hung out of the window perilously to watch
it thunder past and to see the people who crowded it pressed
close together in the seats, standing in the aisles, hanging on
to the straps. Sometimes in the evening there were people in it
who were going to the theatre, and the women and girls were
dressed in light colours and wore hats covered with white
feathers and flowers. At such times the children were delighted,
and Judith used to hear the three in the next flat calling out to
each other, "That's MY lady! That's MY lady! That one's mine!"
Public-domain text, read in full here on John Shaqi.
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