"She's a queer little fish, Judy," Jane said to her husband as they sat by the open window one night, Jem's arm curved comfortably around the young woman's waist as he smoked his pipe. "What do you think she says to me to-night after I put her to bed?" "Search ME!" said Jem oracularly. Jane laughed. "'Why,' she says, 'I wish the Elevated train would stop.' "'Why?' says I. "'I want to go to sleep,' says she. 'I'm going to dream of Aunt Hester.'" "What does she know about her Aunt Hester," said Jem. "Who's been talkin' to her?" "Not me," Jane said. "She don't know nothing but what she's picked up by chance. I don't believe in talkin' to young ones about dead folks. 'Tain't healthy." "That's right," said Jem. "Children that's got to hustle about among live folks for a livin' best keep their minds out of cemeteries. But, Hully Gee, what a queer thing for a young one to say." "And that ain't all," Jane went on, her giggle half amused, half nervous. "'But I don't fall asleep when I see Aunt Hester,' says she. 'I fall awake. It's more awake there than here.' "'Where?' says I, laughing a bit, though it did make me feel queer. "'I don't know' she says in that soft little quiet way of hers. 'There.' And not another thing could I get out of her." On the hot night through whose first hours Judith lay panting in her corner of the room, tormented and kept awake by the constant roar and rush and flash of lights, she was trying to go to sleep in the hope of leaving all the heat and noise and discomfort behind, and reaching Aunt Hester. If she could fall awake she would feel and hear none of it. It would all be unreal and she would know that only the lightness and the air like flowers and the lovely brightness were true. Once, as she tossed on her cot-bed, she broke into a low little laugh to think how untrue things really were and how strange it was that people did not understand--that even she felt as she lay in the darkness that she could not get away. And she could not get away unless the train would stop just long enough to let her fall asleep. If she could fall asleep between the trains, she would not awaken. But they came so quickly one after the other. Her hair was damp as she pushed it from her forehead, the bed felt hot against her skin, the people in the next flat quarreled more angrily, Judith heard a loud slap, and then the woman began to cry. She was a young married woman, scarcely more than a girl. Her marriage had not been as successful as that of Judith's parents. Both husband and wife had irritable tempers. Through the thin wall Judith could hear the girl sobbing angrily as the man flung himself out of bed, put on his clothes and went out, banging the door after him. "She doesn't know," the child whispered eerily, "that it isn't real at all."