Mountain life -- Tennessee -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
drivel is this! Gentlemen, _we_ live in the nineteenth century!”
The aspersion of Lord Brougham—for thus he considered the anecdote—was
very bitter to him. He was a man of few enthusiasms, and such
hero-worship as was possible to him had been expended upon the great
lights of his profession whose acquaintance he had formed in his early
reading of law, some twenty years ago. He so dwelt upon this point that
the jury received the valuable impression that Henry Brougham was a
chancellor and a “valley man,” hailing from Knoxville, perhaps, and was
held in high esteem by the lawyers in Shaftesville, and that Harshaw
seemed to think the attorney-general had slandered him. He wrenched
himself from this phase of the subject with some difficulty. “Gentlemen,”
he said sarcastically, “the attorney-general is a mighty smart man. He’s
got a heap of learning lately about visions.” He glanced down obliquely
at his opponent; he would have given a good deal to know how the counsel
for the State came by his information. He could have sworn that it was
not indigenous. “But there are plenty of folks in this town could have
told him just as much and more. He’s mighty particular to show the
difference between _il_-lusion and _de_-lusion, and hallucination and
mania. Visions! That ain’t what _we_ call ’em, gentlemen. Down here in
the flat woods we call ’em—‘snakes’!” The hit told, and he went on,
encouraged. “Right over yonder in Tim Becker’s saloon they keep every
assortment of vision. Men have seen green rabbits there, and black dogs,
and snakes, and whole menageries of hallucinations. Is anybody going
to believe Alethea Sayles had the jim-jams that night, coming from
camp-meeting? She had no call to see visions! This girl had her head in
her hands; she was leaning on the fence; she felt some one touch her; she
looked up, and saw the boy before her. Mighty few of the ghosts that we
have heard of had such consistency of entity as to make their presence
perceived by the sense of touch; on the contrary, it is thus that their
unreality is often demonstrated in these same fables. A lady passes her
fan through one immaterial image. A man thrusts his knife vainly into
the misty heart of another. And why does this instance differ? Because,
gentlemen, there was no phantom. It was Tad Simpkins in flesh and blood.
The fugitive boy sees Alethea Sayles, whom he knows well; he is about
to appeal to her; he lays his hand on her hand. She lifts her head, and
at the unexpected appari—sight, she screams, and the foolish boy is
frightened, and flees!”
Public-domain text, read in full here on John Shaqi.
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