Mountain life -- Tennessee -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“It makes me laff every time I see a witness swore ter tell ‘the truth,
the whole truth, an’ nuthin’ but the truth.’ Folks is so apt ter b’lieve
the truth air jes’ what they wanter b’lieve. Git them boys skeered up
right smart ’bout the revenuers on one side an’ the moonshiners on t’
other, an’ they’ll feel the truth war ez none o’ we-uns hed ennythin’
ter drink that night; mought hev hed a dram o’ cider, or mebbe nuther
stronger ’n yerb tea, but nobody war bodaciously boozy. Then they don’t
know sure enough whar the liquor kem from; mos’ folks don’t b’lieve
thar’s no still round ’bout the mountings now.”
Alethea leaned back in the rocking-chair, her nerveless hands falling
idly upon the work in her lap. The crude mosaic of advertisements on the
walls started out with abnormal distinctness, as a tiny flame rose from
the embers and fell into sudden extinction among the ashes, leaving the
only picture in the room the dusky night-scene dimly painted in purple
and dove color upon the panes of the window.
It was only she who could remedy the deficiency in this valuable
testimony. She knew full well the source of their secret supply. She it
was who had seen the jug left in the barn by the roistering blades, and
the moonshiner swing down from the loft to seize upon it. She had his
full confession from his own lips. She appreciated the distinctions the
jury would make between hilarious drunken sport and coolly intentional
malice in the prisoner, and that it was in her hands to sacrifice one of
these men to the other.
For the first time she was quick to distrust her own intuitions. Her
tyrant conscience, hitherto always ready to immolate every cherished
wish on the altar of the right, seemed now the suavest mentor, urging
that her lover’s liberty, his life for aught she knew, should not be
jeopardized to protect a man whose vocation she accounted a curse to the
community. She felt a secret amaze that her first vague project should
expand into a fully equipped plan, with hardly a conscious process of
thought to give it shape and detail. Her natural doubts, her efforts at
alternatives, were flouted by some inner imperious determination. It was
in the nature of a concession from this suddenly elate and willful power
that she obtained her own consent, as she would have phrased it, to warn
Sam Marvin, for the sake of his “houseful,” that he might elude capture,
and perhaps save his still and appliances from destruction. And she would
warn Jerry, too, despite that triumphant, tumultuous consciousness which
held all else so slight since she had knowledge that could aid in proving
Mink’s irresponsibility for what he had really done, and his innocence of
the graver crime of which he was accused.
Public-domain text, read in full here on John Shaqi.
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