Having no choice, he entered on his hands and knees.
IV
Dewforth wandered in a labyrinth of control panels which reached
almost to the ceiling, but did not entirely shut out the light. This
light was like skimmed milk diffused in shadow. He reasoned that it
came from windows, but when he tried to remember whether the control
cab had windows he could not be sure. He had no visual image of
windows seen from the outside, but he had supposed that such an
edifice would hardly be blind. Somewhere beyond this maze of control
panels, he also reasoned, there must be an area like the bridge of an
enormous ship where the clamor of the bells, buzzers, klaxons and
whistles and the silent warnings and importunings of dials, gauges,
colored lights, ticker-tapes which spewed from metal mouths, the
palsied styles which scribbled on creeping scrolls, were somehow
collated and made meaningful, where the yammering loudspeakers could
be answered, and where the operators could look out and down and see
what they were doing.
Where were the operators?
The noise was deafening. Unlike the noise of machinery in a factory it
was not homogeneous. Each sound was intended to attract attention and
to evoke a certain response, but what response and from whom? Long
levers projecting from the steel deck wagged back and forth
spastically like the legs of monstrous insects struggling on their
backs. Several times Dewforth was temporarily blinded by an explosion
of blue light as a fuse blew or something short-circuited among the
rows of knife-switches and rheostats on the panels. One would never
really get used to the sporadic sound or to the lights. There was no
knowable pattern about them--about what they did or said. When he
closed his eyes and tried to compose himself the words _Out of
Control_ flashed red against the back of his eyelids, but he told
himself that this was foolish. How was one to adjudge a situation to
be Out of Control when one did not know what constituted control, over
what, or by whom? Furthermore, he rebuked himself, if the
panels--never mind how many or how forbidding--with their lights,
bells, buzzers, switches, relays, dials, gauges, styles, tapes,
pointers, rheostats and buttons had any meaning, and in fact if the
Tower itself had any meaning at all, that meaning was _Control_. How
arrogant it had been of him to imagine, even briefly, that because
he--a green intruder in that high place--had not immediately
comprehended what it was all about, the situation must be out of
control. _Absurd!_
* * * * *
Public-domain text, read in full here on John Shaqi.
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