In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
We went to the theater with Marquise San Carlos. "All the world is here,"
said she. Certainly it looked as if all Havana filled the Tacon, which is
a very large theater. Every box was full, and the parquet, as Lola told
me, contained the _haute volée_ of the town; the open balconies were
sacred to the middle-class, while in the upper gallery were the nobodies,
with their children, poor things! decked out with flowers and trying to
keep awake through the very tiresome and _démodé_ performance of
"Macbeth." Tamberlik sang. What a glorious voice he has! And when he took
the high C (which, if I dare make the joke, did not at all resemble the
one Laura and I encountered coming out of New York Harbor) it was all I
could do to sit quiet. I wanted to wave something. The prima-donna was
_assoluta_, and must have been pickled in some academy in Italy years
ago, for she was not preserved. She acted as stupidly as she sang.
Each box has six seats and are all open, with the eternal lattice-door at
the back, and separated from its neighbor by a small partition. It was
very cozy, I thought; one could talk right and left, and when the
gentlemen circulated about in the _entr'actes_ smoking the inevitable
cigarette, which never leaves a Cuban's lips except to light a fresh one,
all the lattice-doors are eagerly opened to them. Lola presented all the
_haute volée_ to us, the unpresented just stared. I never realized
how much staring a man can do till I saw the Cuban. I mentioned this to
Lola, to which she responded, "It is but natural, you are a stranger."
"Dear friend," said I, "I have been a stranger in other lands, but I have
never seen the like of this. If I was an orang outang there might be some
reason, but to a simple mortal, or two simple mortals, like my sister and
myself, their stares seem either too flattering or the reverse."
"Why, my dear," she replied, "they mean it as the greatest compliment, you
may believe me." And she appealed to her husband, who confirmed what she
said. All the gentlemen carry fans and use them with vigor; the ladies are
so covered with powder (_cascarilla_) that you can't tell a pretty one
from an ugly one. If one of them happens to sneeze, there is an avalanche
of powder.
Lola showed us her establishment and explained the architecture of a Cuban
house. If chance has put a chimney somewhere, they place the kitchen near
it. Light and size are of no account, neither is cooking of any
importance.
CUBA, _February, 1873._
We make such crowds of acquaintances it would be useless to tell you the
names. The Marquise San Carlos sent her carriage for us the evening of her
_soirée_. All the company was assembled when we arrived: the Marquis,
the Dean of Havana, and two abbés were playing _tresillo_, a Spanish
game of cards.
Public-domain text, read in full here on John Shaqi.
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