In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
A group of men stood in the corner and seemed to be talking politics, as
far as I could judge from then gesticulations. A few ladies in sweeping
trains, and very _décolletées_, sat looking on listlessly. The daughter of
the house was nearing the piano. The Dean said to me, with a sly smile,
"Now is the _coup de grâce!_"--his little joke. She sang, "Robert, toi que
j'aime. Grâce! Grâce!" etc. Also she sang the waltz of "Pardon de
Ploërmel," a familiar _cheval de bataille_ of my own, which I was glad to
see cantering on the war-path again. In the mean time conversation was at
low ebb for poor Laura. She told me some fragments which certainly were
peculiar. For instance, she understood the gentle man who had last been
talking to her to say that he had been married five times, had twenty-
eight children, and had married his eldest son's daughter as his fifth
wife. I afterward ascertained that what he had intended to convey was that
he was twenty-eight when he married and had fifteen children. That was bad
enough, I thought.
I sang two or three times. The gaiety was brought to rather an abrupt
close, as the Marquis received a telegram of his brother's death. The Abbé
went on playing his game, not at all disturbed (such is the force of
habit); but we folded our tents and departed.
The hours are sung out in the streets at night, with a little flourish at
the end of each verse. I fancy the watchman trusts a good deal to
inspiration about this, as my clock--an excellent one--did not at all
chime in with his hours. Perhaps he composes his little verse, in which
case a margin ought to be allowed him....
The bells in the churches are old and cracked and decrepit.
All the fleet, and any other boat that wants to join in fire off salute,
to wake you up in the morning.
I bought to-day the eighth part of a lottery-ticket.
The Captain of the Port thinks his English is better than his French, but
sometimes it is very funny. He says: "Don't take care," instead of "Never
mind"--"The _volante_ is to the door"--"Look to me, I am all proudness"--
"You are all my anxiousness."
The houses are generally not more than one story high, built around an
open court, on which all rooms open. In the middle of this is a fountain;
no home is complete without a fountain, and no fountain is complete
without its surroundings of palms, plants, and flowers. In one of the
rooms you can see where the _volante_ reposes for the night. You only
see these glories at night. When the heavy bolts are drawn back you and
everybody can look in from the street on the family gathering, basking in
rocking-chairs around the fountain, and in oriental, somnolent
conversation.
CUBA, _February._
Public-domain text, read in full here on John Shaqi.
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