In the Courts of Memory, 1858-1875; from Contemporary Letters — John Shaqi
In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
On account of his _concours_ Auber was asked to be present, as well
as the Danish coach, whose occupation was to turn the leaves, and if
necessary to help in critical moments. No one else was to be in the
audience, not even our husbands. Well! the concert came off. We were four
hours about it! It was a funny experience, when one thinks of it, and only
Baroness Rothschild could have ever imagined such a thing or carried it
through. In her enormous ballroom we two amateurs were performing with the
most celebrated orchestra in the world--eighty picked musicians, all
perfect artists--with no one to hear us. Auber professed politely to be
delighted with all he heard, and clamored for more. The orchestra looked
resignedly bored.
The Minister of Foreign Affairs, the Marquis Drouyn de l'Huys, gave a
costume ball which was even finer than the last. Worth, Laferrières, and
Félix outdid themselves. The Empress had a magnificent dress--_une
ancienne dame Bavaroise_. She looked superb, actually covered and
blazing with jewels.
The Comtesse de Castiglione had imagined a costume as "La Vérité." She was
dressed entirely in white, looking severe and classically beautiful, cold
as a winter day. She held in her hand a fan made of white feathers which
had a mirror in the center. It must be amusing to be a professional
beauty. When she goes to a ball, which she never does before midnight, she
does not take the trouble to speak to any one; she walks into the ballroom
and just stands in the middle of it to be looked at; people all make a
circle around her and glare. A gentleman will go and speak with her, and
they stand like two trees on an island, he doing the talking, and she
gazing around her to see what effect she is producing.
The Emperor made a bet that he would make her speak three words, and he
won it, because she answered a question of his by saying, "Pas beaucoup,
Sire." She lives at Passy, and calls herself _la recluse de Passy_; others
call her _la recluse du Passé_. I do not admire her beauty half as much as
I do the Empress's.
Countess Walewski was dressed like a fiery Vénitienne, all yellow and
gold. She looked dazzling and like a thorough Italian, which was not
difficult for her, as she is one.
The Duchesse de Mouchy's costume was a Louis XV. marquise, which did not
suit her at all; neither did the powdered wig nor the black patches on her
face become her.
Public-domain text, read in full here on John Shaqi.
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