In the Courts of Memory, 1858-1875; from Contemporary Letters — John Shaqi
In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
The other day I was awfully mortified. Mr. Longfellow, who teaches us
literature, explained all about rhythm, measures, and the feet used in
poetry. The idea of poetry having feet seemed so ridiculous that I thought
out a beautiful joke, which I expected would amuse the school immensely;
so when he said to me in the lesson, "Miss Greenough, can you tell me what
blank verse is?" I answered promptly and boldly, "Blank verse is like a
blank-book; there is nothing in it, not even feet," and looked around for
admiration, but only saw disapproval written everywhere, and Mr.
Longfellow, looking very grave, passed on to the next girl. I never felt
so ashamed in my life.
Mr. Longfellow, on passing our house, told aunty that he was coming in the
afternoon, to speak to me; aunty was worried and so was I, but when he
came I happened to be singing Schubert's "Dein ist mein Herz," one of
aunty's songs, and he said, "Go on. Please don't stop." When I had
finished he said:
"I came to scold you for your flippancy this morning, but you have only to
sing to take the words out of my mouth, and to be forgiven."
"And I hope you will forget," I said, penitently.
"I have already forgotten," he answered, affectionately. "How can one be
angry with a dear little bird? But don't try again to be so witty."
"Never again, I promise you."
"That's the dear girl you are, and 'Dein ist mein Herz'!" He stooped down
and kissed me.
I burst into tears, and kissed his hand. This is to show you what a dear,
kind man Mr. Longfellow is.
[Illustration: THE FAY HOUSE, CAMBRIDGE, MASSACHUSETTS]
CAMBRIDGE, _June, 1857._
If you were here, dear mama, I would sing, "Oh, Wake and Call Me Early,
Call Me Early, Mother Dear," for I am to dance the quadrille on the
"Green" on Class Day. To be asked by a Harvard graduate to be one of the
four girls to dance is a great compliment. All the college windows are
full of people gazing at you, and just think of the other girls, who are
filled with envy fuller than the windows!
Aunty is "pestered" (as she calls it) to death by people wanting me to
sing for their charities. Every one has a pet charity, which it seems must
be attended to just at this time, and they clamor for help from me, and
aunty has not the courage to say "no." Therefore, about once a week I am
dressed in the white muslin and the black shoes, which is my gala get-up,
and a carriage is sent for me. Then aunty and I are driven to the Concert
Hall, where, when my turn comes, I go on the platform and sing, "Casta
Diva," "Ah, non Credea," etc., and if I am encored then I sing, "Coming
Thro' the Rye."
Public-domain text, read in full here on John Shaqi.
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