In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
We arrived at a great open place and found all the company assembled, and
I should say the whole populace of Compiègne had turned into beaters and
spectators. The gentlemen took their places in a long line, the Emperor
being in the middle; on his right the person highest in rank (Prince
Metternich), on his left Count Golz, and so forth.
Madame de Gallifet and I were a little behind the Emperor, between him and
Prince Metternich. Behind us were the gamekeepers, loading and handing the
guns to their masters as fast as they could. The three first gentlemen had
their own _chasseurs_ and two guns each. After the gamekeepers came the
men whose duties were to pick up the dead and wounded victims and put them
in the bags.
It was a dreadful sight! How I hate it! I am sure I shall not sleep for a
week, for I shall always see the forms and faces of those quivering, dying
creatures in my dreams. I never will go to a _chasse_ again.
And the worst was, they had frightened the birds and animals into a sort
of circle, where they could not escape; the butchery was awful. The
victims numbered close on four thousand. Prince Metternich alone shot
twelve hundred.
How happy I was when it all was over and I could get away from these
horrors and this miserable sport! We were invited to the tea in the
Empress's salon. I had time to change my dress and put on the high silk
gown prescribed for this function.
Such beautiful rooms! First an antechamber, with cabinets of Italian
carving and vitrines and inlaid tables; then the Empress's salon, a very
large room filled with low arm-chairs, tables covered with knickknacks,
books with paper-cutters still in them, as if they were just being read,
screens with engravings _à la Louis Seize_, and beautiful fans on the
walls, also splendid tapestries. It had a lovely ceiling, painted by some
celebrated artist, mostly angels and smiling cherubs, who seemed to
possess more than their share of legs and arms, floating about in the
clouds.
The Empress generally has a distinguished person, or some kind of
celebrity, either a traveler or an inventor, even a prestidigitateur (ugh,
what a word!), always some one who is _en vue_ for the moment. To-day
it was a man who had invented a machine to count the pulse. He strapped a
little band on your wrist and told you to concentrate your thought on one
subject, then a little pencil attached to the leather handcuff began
muffing up and down slowly or quickly, as your pulse indicated.
The Empress seemed much interested, and called those in the room whose
pulse she wished to have tested. She said, "Now let us have an American
pulse." My pulse seemed to be very normal, and the exhibitor did not make
any comments, neither did any one else.
"Shall we now have a Germanic pulse?" the Empress risked, and called Comte
Solms. "Think of something pleasant," said the inventor. "A ballet is a
nice thing to think of," said the Princess Metternich, in her shrill
voice.
Public-domain text, read in full here on John Shaqi.
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