In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
"Regarde, comme il va vite," the inventor cried, and he showed the paper
with the most extraordinary wavy lines. Every one laughed, and no one more
than Comte Solms himself.
Six o'clock came very quickly, and the Empress, rising, gave the signal
for our departure.
The Marquis de Caux took me in to dinner. He is the most popular and
sought-after gentleman in all Paris. No ball is complete without him, and
his presence at any dinner is sufficient to assure its success. He leads
all the cotillons worth speaking of, and is a universal favorite. He
allowed his secret to leak out (_un secret de Polichinelle_), which all
Paris is talking about.
I swore secrecy; but I can tell you that it can be contained in one word,
and that word is SIMPATICO, which is Italian for his rendezvous with HER
at the American Doctor Sim's house, for it is there he meets her. _Devine
qui peut!_ (Guess who can!) I have not said anything.
At nine o'clock we all adjourned to the theater in the Palace, to reach
which we passed through many rooms we had never seen before, and through a
long gallery. The theater is very handsome, and as large as most of the
theaters in Paris. There is always one theatrical performance during each
week while their Majesties are in Compiègne. The company of the Théâtre
Français had been commanded to play this evening. The piece chosen was the
latest one of Émile Augier, which has had a great success in Paris, called
"Le fils Giboyer." Émile Augier, who was invited specially, was present.
Madeleine Brohan, Coquelin, Breton, and Madame Favard had the principal
rôles. Such distinguished artistes as those could not but give the
greatest enjoyment. The theater is very handsome; there are only boxes and
the parquet; the Imperial Loge reaches from the first tier of boxes to the
last seats of the parquet in the shape of a shell. Any one standing up
there could touch, on raising the arm, the velvet draperies of the
Imperial box.
The theater is entirely lighted by wax candles, of which there must have
been thousands, and all the scenery belonging to the play was sent
especially from Paris.
Their Majesties sat in the center of the Imperial Loge, and the lady
guests and the most important gentlemen, according to their rank, were
placed beside and behind them.
The other gentlemen sat in the parquet, and circulated about between the
acts.
In the boxes were places for the Court ladies, also the ladies invited
from the neighboring château and from Compiègne.
Public-domain text, read in full here on John Shaqi.
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