In the Courts of Memory, 1858-1875; from Contemporary Letters — John Shaqi
In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
DEAREST A.,--We arrived here, as we intended, on the 27th.... We easily
found Garcia's address, and drove there without delay. I was very anxious
to see the "greatest singing master in the world," and there he was
standing before me, looking very much as I had imagined him; but not like
any one I had ever seen before. He has grayish hair and a black mustache,
expressive big eyes, and such a fascinating smile! Mama said, having heard
of his great reputation, she wished that he would consent to give me a
_few_ lessons. He smiled, and answered that, if I would kindly sing
something for him, he could better judge how much teaching I required. I
replied--I was so sure of myself--that, if he would accompany "Qui la
voce," I would sing that. "Ha, ha!" he cried, with a certain sarcasm. "By
all means let us have that," and sat down before the piano while I spread
out the music before him. I sang, and thought I sang very well; but he
just looked up into my face with a very quizzical expression, and said,
"How long have you been singing, Mademoiselle?" Mama answered for me
before I could speak. "She has sung, Monsieur, since she was a very small
child."
He was not at all impressed by this, but said, "I thought so." Then he
continued. "You say you would like to take some lessons of me?" I was
becoming very humble, and said, meekly, that I hoped he would give me
some. "Well, Mademoiselle, you have a very wonderful voice, but you have
not the remotest idea how to sing." What a come-down! I, who thought I had
only to open my mouth to be admired, and only needed a _few_ finishing
touches to make me perfect, to be told that I had "not the remotest idea
how to sing"!
Mama and I both gasped for breath, and I could have cried for
disappointment as well as mortification. However, I felt he was right,
and, strange to say, mama felt so too. He said, "Take six months' rest and
don't sing a single note, then come back to me." When he saw the
crestfallen look on my face, he added, kindly, "Then we shall see
something wonderful."
We leave for Dresden this evening.... Love to all.
Your humble
LILLIE.
LONDON, _May, 1860._
DEAR A.,--I have not written since we left the kind V. Rensselaers in
Dresden. Mama must have given you all the details of our life there.... I
hope, now that I have studied French, German, and Italian like a good
little girl for six months and not "sung a single note," that I may
venture to present myself before the great Garcia again.
Public-domain text, read in full here on John Shaqi.
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