In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
The Marquis de Gallifet, _Officier d'Ordonnance de l'Empereur_, whom
I sat next to at dinner, is what one might call sarcastic--he actually
tears people to pieces; he does not leave them with a shred of reputation,
and what he does not say he implies. He thinks nothing of saying, "He!
He's an abominable scoundrel. She! She is a shameless coquette!" and so
forth. He spares no one; nevertheless, he is most amusing, very
intelligent, and an excellent talker. He told me of his awful experience
in the war of Mexico. He had been shot in the intestines and left for dead
on the field of battle. He managed, by creeping and crawling, "_toujours
tenant mes entrailles dans mon képi_" to reach a peasant's house, where
the good people took care of him until he was able to be transported to a
hospital. There he stayed through a dismal year of suffering. In order to
keep the above-mentioned _entrailles_ in their proper place, the doctors
covered them with a silver plate. "I had my name engraved on it," he said.
He asked me, "Did you ever hear anything like that?" I tried to fancy how
any one would look placarded like that, but replied that I had never heard
of anything quite so awful; but I _had_ heard that every cloud had a
silver lining. He laughed and said, "I shall call myself a cloud in
future."
The dinner to-night was very good. I give you the menu:
Potage tortue clair,
Crème de volaille,
Brisotins de foie gras,
Saumon Napolitain,
Filet de boeuf à la moderne,
Suprême de perdreaux,
Homards à la Parisienne,
Gelinottes rôties,
Salade,
Petits pois à l'Anglaise,
Ananas Montmorency,
Glaces assorties,
Café--Liqueur (both served at the table).
Dinner over, we filed before the _Cent Gardes_ in their shining uniforms
through the long gallery.
It was earlier than usual when we began to dance; but we were (at least I
was) interrupted by receiving a message from their Majesties, asking me if
I would kindly sing something for them. Of course I did not refuse, and we
adjourned to the music-room, where the Erard piano was.
[Illustration: THE MUSIC HALL--CHÂTEAU DE COMPIÈGNE]
I did not exactly know what to sing; but Prince Metternich soon relieved
my mind on that score by saying, "Don't bother about singing anything
serious, and especially _don't_ sing anything classical." The Princess
Metternich could accompany anything which was not too difficult; therefore
we thought I had better sing "_Ma mère était bohémienne_," of Massé, which
I did. I saw directly that this melodramatic music, beautiful as it is,
did not suit the occasion, for though the gaily attuned audience was
visibly affected by the phrase, _Et moi j'ai l'âme triste_, they did not
show more signs of emotion than by making a little dab at their eyes with
their pocket-handkerchiefs.
Public-domain text, read in full here on John Shaqi.
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