In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
Aunt M---- says she wishes you had been at a matinée which Baroness
Nathaniel Rothschild gave this afternoon at her beautiful new palace in
the Faubourg St.-Honoré. At the entrance there were ten servants in
gorgeous livery, and a _huissier_ who rattled his mace down on the
pavement as each guest passed. There was, besides all the élite of Paris,
an Archduke of Austria. I sang the "Ave Maria" of Gounod, accompanied by
Madame Norman Neruda, an Austrian violiniste, the best woman violinist in
the world. Baroness Rothschild played the piano part.
PARIS, _May 29, 1867._
DEAR M.,--The Metternichs' big ball last night was a splendid affair, the
finest of the many fine balls. We were invited for ten o'clock, and about
half-past ten every one was there.
The Emperor and Empress came at eleven o'clock. Waldteufel, with full
orchestra, was already playing in the ballroom of the embassy, which was
beautifully decorated. At twelve o'clock the doors, or rather all the
windows that had been made into doors, were opened into the new ballroom,
which the Princess Metternich, with her wonderful taste and the help of
Monsieur Alphand, had constructed in the garden, and which had transformed
the embassy into a thousand-and-one-nights' palace.
The ballroom was a marvel; the walls were hung with lilac and pink satin,
and the immense chandelier was one mass of candles and flowers; from each
panel in the room there were suspended baskets of flowers and plants, and
between the panels were mirrors which reflected the thousands of candles.
One would never have recognized the garden; it was transformed into a
green glade; all the paths were covered with fresh grass sod, making it
look like a vast lawn; clusters of plants and palms seemed to be growing
everywhere, as if native to the soil; flower-beds by the hundreds;
mysterious grottos loomed out of the background, and wonderful vistas with
a cleverly painted perspective. At the same moment that their Majesties
entered this wonderful ballroom, which no one had dreamed of, the famous
Johann Strauss, brought from Vienna especially for this occasion, stood
waiting with uplifted baton and struck up the "Blue Danube," heard for the
first time in Paris.
When their Majesties approached the huge plate-glass window opening into
the garden a full-fledged cascade fell over the stucco rocks, and powerful
Bengal lights, red and green, made a most magical effect: the water looked
like a torrent of fiery lava _en miniature_. It was thrilling.
No one thought of dancing; every one wanted to listen to the waltz. And
how Strauss played it!... With what fire and _entrain!_ We had thought
Waldteufel perfect; but when you heard Strauss you said to yourself you
had never heard a waltz before. The musicians were partly hidden by
gigantic palmettos, plants, and pots of flowers arranged in the most
attractive way. But he!--Johann Strauss!--stood well in front, looking
very handsome, very Austrian, and very pleased with himself.
Public-domain text, read in full here on John Shaqi.
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