In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
Then came the _quadrille d'honneur_. The Emperor danced with the Queen of
Belgium, the Crown Prince of Prussia with the Empress, the King of Belgium
with the Princess Mathilde, the Prince Leuchtenberg with the Princess
Metternich.
The cotillon was led by Count Deym and Count Bergen, and they led it to
perfection; there was not a hitch anywhere. Every one was animated and
gay; certainly the music was inspiring enough to have made an Egyptian
mummy get out of his sarcophagus and caper about. I danced with a German
_Durchlaucht_, who, though far in the sear and yellow leaf, danced like a
school-boy, standing for hours with his arm around my waist before
venturing (he could only start when the tune commenced), counting one--
two--three under his breath, which made me, his partner, feel like a
perfect fool. When at last he made up his mind to start nothing short of
an earthquake could have stopped him. He hunched up his shoulders to his
ears, arched his leg like a prancing horse, and off we went on our wild
career, lurching into every couple on the floor, and bumping into all the
outsiders. When we were not careering together, he sat glued to his chair,
refusing to dance. If any lady came up with a favor he would say, "I am a
little out of breath; I will come and fetch you later." And then he would
put the favor in his pocket and never go near her. He seized everything in
the way of favors that came his way; some he gave to me, and the rest he
took home to his small children.
I was glad, all the same, to have him for a partner, as, being a
_Durchlaucht_, he was entitled to a seat in the front row, and I preferred
prancing about with my _hochgeboren_ high-stepper to having to take a back
seat in the third row with a minor _geboren_. After my partner and I had
bounded about and butted into every living thing on the floor I brought
him to anchor near his chair by clutching his Golden Fleece chain which
hung around his neck. I felt like singing Tennyson's "Home I brought my
warrior (half) dead." He was puffing and blowing, the perspiration glazing
his face, his yellow hair matted on his forehead, and his mustaches all
out of kilter.
I really felt sorry for him, and wondered why he exerted himself so much,
when he could have been quietly seated watching others, or, better still,
at home in bed.
Public-domain text, read in full here on John Shaqi.
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