In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
At sight of this _chef d'oeuvre_, Madame Choucru was moved almost to
tears. Ah, Heaven! if Monsieur could only figure to himself her
admiration for his _beau talent_! But alas! that was impossible--as
impossible as that Monsieur Choucru should ever repay this unheard-of
obligation!
Müller laid his hand upon his heart, and bowed profoundly.
"Ah! Madame," he said, "it is not to Monsieur Choucru that I look for
repayment--it is to you."
"To me, Monsieur? _Dieu merci! Monsieur se moque de moi_!"
And the Dame de Comptoir, intrenched behind her fruits and liqueure
bottles, shot a Parthian glance from under her black eye-lashes, and
made believe to blush.
"Yes, Madame, to you. I only ask permission to come again very soon, for
the purpose of executing a little portrait of Madame--a little portrait
which, alas! _must_ fail to render adequate justice to such a multitude
of charms."
And with this choice compliment, Müller bowed again, took his leave,
bestowed a whole franc upon the astonished waiter, and departed from the
_Toison d'Or_ in an atmosphere of glory.
The fair, or rather that part of the fair where the dancers and diners
most did congregate, was all ablaze with lights, and noisy with brass
bands as we came out. _Ma tante_, who was somewhat tired, and had been
dozing for the last half hour over her coffee and liqueure, was
impatient to get back to Paris. The fair Marie, who was not tired at
all, confessed that she should enjoy a waltz above everything. While
Müller, who professed to be an animated time-table, swore that we were
just too late for the ten minutes past ten train, and that there would
be no other before eleven forty-five. So Madame Marotte was carried off,
_bon gré, mal gré_, to a dancing-booth, where gentlemen were admitted on
payment of forty centimes per head, and ladies went in free.
Here, despite the noise, the dust, the braying of an abominable band,
the overwhelming smell of lamp-oil, and the clatter, not only of heavy
walking-boots, but even of several pairs of sabots upon an uneven floor
of loosely-joined planks--_ma tante_, being disposed of in a safe
corner, went soundly to sleep.
It was a large booth, somewhat over-full; and the company consisted
mainly of Parisian blue blouses, little foot-soldiers, grisettes (for
there were grisettes in those days, and plenty of them), with a
sprinkling of farm-boys and dairy-maids from the villages round about.
We found this select society caracoling round the booth in a thundering
galop, on first going in. After the galop, the conductor announced a
_valse à deux temps_. The band struck up--one--two--three. Away went
some thirty couples--away went Müller and the fair Marie--and away went
the chronicler of this modest biography with a pretty little girl in
green boots who waltzed remarkably well, and who deserted him in the
middle of the dance for a hideous little French soldier about four feet
and a half high.
Public-domain text, read in full here on John Shaqi.
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