In the Days of the CometWells, H. G. (Herbert George)
Science
In the Days of the Comet
Wells, H. G. (Herbert George)
Comets -- Collisions with Earth -- Fiction; Political fiction; Science fiction; Utopian fiction; Utopias -- Fiction
But my memories carry me back so effectually to those days before the
Change that I forget that now all these places have been altered beyond
recognition, that the narrow street and the stepway and the view from
Clayton Crest, and indeed all the world in which I was born and bred
and made, has vanished clean away, out of space and out of time, and
wellnigh out of the imagination of all those who are younger by a
generation than I. You cannot see, as I can see, the dark empty way
between the mean houses, the dark empty way lit by a bleary gas-lamp at
the corner, you cannot feel the hard checkered pavement under your
boots, you cannot mark the dimly lit windows here and there, and the
shadows upon the ugly and often patched and crooked blinds of the
people cooped within. Nor can you presently pass the beerhouse with its
brighter gas and its queer, screening windows, nor get a whiff of foul
air and foul language from its door, nor see the crumpled furtive
figure—some rascal child—that slinks past us down the steps.
We crossed the longer street, up which a clumsy steam tram, vomiting
smoke and sparks, made its clangorous way, and adown which one saw the
greasy brilliance of shop fronts and the naphtha flares of hawkers’
barrows dripping fire into the night. A hazy movement of people swayed
along that road, and we heard the voice of an itinerant preacher from a
waste place between the houses. You cannot see these things as I can
see them, nor can you figure—unless you know the pictures that great
artist Hyde has left the world—the effect of the great hoarding by
which we passed, lit below by a gas-lamp and towering up to a sudden
sharp black edge against the pallid sky.
Those hoardings! They were the brightest colored things in all that
vanished world. Upon them, in successive layers of paste and paper, all
the rough enterprises of that time joined in chromatic discord; pill
vendors and preachers, theaters and charities, marvelous soaps and
astonishing pickles, typewriting machines and sewing machines, mingled
in a sort of visualized clamor. And passing that there was a muddy lane
of cinders, a lane without a light, that used its many puddles to
borrow a star or so from the sky. We splashed along unheeding as we
talked.
Then across the allotments, a wilderness of cabbages and evil-looking
sheds, past a gaunt abandoned factory, and so to the high road. The
high road ascended in a curve past a few houses and a beerhouse or so,
and round until all the valley in which four industrial towns lay
crowded and confluent was overlooked.
Public-domain text, read in full here on John Shaqi.
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