Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
Lead was a costly thing in the Middle Ages. It was sometimes used for
roofing purposes, as well as for gutter-pipes and drain-pipes, because
it will not rust as iron will, and can easily be worked. Alan had played
about that rubbish heap, and he knew that there were lumps of lead among
the wood-ashes and crumbled stones. Much marveling, he led the artist to
the pile of rubbish that had been thrown over the wall, and helped to
dig out the precious bits of metal. Then the fire was lighted once more,
and triumphantly Angelo melted the lead and purified it, and rolled it
into sheets, and cut it into strips.
"Now," he said one morning, "we are ready to begin. I shall make a
medallion which can be set in a great window like embroidery on a
curtain. It shall be a picture--of what, my son?"
His dark eyes were very kind as he looked at the boy's eager face. The
question had come so suddenly that Alan found no immediate answer. Then
he saw his pet lamb delicately nibbling at a bit of green stuff which
his mother held out to it as she stood in her blue gown and white apron,
her bright hair shining under her cap.
"I wish we could make a picture of her," he said a little doubtfully.
Angelo smiled, and with a bit of charcoal he made a sketch on a board.
Alan watched with wonder-widened eyes, although he had seen the old man
draw before. Then they went together into the little room which had
seen so many surprising things, and the sketch was copied on the broad
wooden bench which they had been using for a table. Then holding one
end of a piece of string in the middle of the lamb's back, Angelo
slipped the charcoal through a loop in the other end, and drew a circle
round the whole. Around this he drew a wreath of flowers and leaves.
Then he laid the white glass over the lamb and drew the outline just as
a child would draw on a transparent slate, putting in the curls of the
wool, the eyes and ears and hoofs, with quick, sure touches. This done,
he set the white glass aside, and drew Dame Cicely's blue gown and the
blue of a glimpse of sky on the blue glass. The green of the grass and
the bushes was drawn on the green glass, and the roses on the red, and
on the yellow, the cowslips in the grass. When all these had been cut
out with a sharp tool, they fitted together exactly like the bits of a
picture-puzzle, but with a little space between, for each bit of the
picture had been drawn a trifle inside the line to leave room for the
framework.
Public-domain text, read in full here on John Shaqi.
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