Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
"I carved a box for the mother, and when the cousin Adele saw it she
would have one too. It was made with a wreath of roses on the lid, but
I would not make roses for any one but the mother; Adele's box has
lilies, and a picture of herself. That she liked better."
Brother Basil was thinking. "Quentin," he said, "I know a wood-carver
here, Master Gerard, who is from Peronne, and knows your talk better
than I. He was a boy like you when he began to learn the work of the
huchier and the wood-carver, and he might give you a place in his shop.
Will your father let you stay?"
"He will if I get the chance," said Quentin. "If I ask him now, Pierre
will say things."
Like many younger brothers, Quentin knew more about the older members
of his family than they knew about him.
Brother Basil's smile escaped control this time. He turned and strode
across the market-place to the shop of Master Gerard, beckoning Quentin
to follow.
"Master," he said to the old huchier, who was planing and chipping and
shaping a piece of Spanish chestnut, "here is a boy who has fallen in
love with your trade."
Master Gerard glanced up in some surprise. "He likes the trade, does
he?" was the gruff comment he made. "Does the trade like him?"
"That is for you to say," said Brother Basil, and turning on his heel
he went out, to walk up and down in the sunshine before the door and
meditate on the loves of craftsmen for their crafts.
"What can you do?" asked the old man shortly, still working at his piece
of chestnut.
Quentin took from his pouch a bit of wood on which he had carved, very
carefully, the figure of a monk at a reading-desk with a huge volume
before him. He had done it the day before after he had been with Brother
Basil to bring some books from the Bishop's house, and although the
figure was too small and his knife had been too clumsy to make much of
a portrait of the face, he had caught exactly the intent pose of the
head and the characteristic attitude of the monk's angular figure.
Master Gerard frowned.
"What sort of carving is that!" he barked. "The wood is coarse and the
tools were not right. You tell me you did it?"
Quentin stood his ground. "It is my work, Master," he said. "I had only
this old knife, and I know the wood is not right, but it was all that I
had."
"And you want to learn my trade--eh?" said the old man a little more
kindly. "You have no father?"
Public-domain text, read in full here on John Shaqi.
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