Lionel was not long in making up his mind as to his future course. He had still two or three hundred pounds in ready money, and one small plot of ground that he could truly call his own. The tiny estate in question was known as Gatehouse Farm, and consisted of nothing more than an old-fashioned, tumbledown house, terribly out of repair; an orchard of tolerable dimensions, and about twenty acres of poorish grass-land; the whole being situated in a remote corner of the north-east coast of England. This modest estate had been his father’s sole patrimony, and for that father’s sake Lionel had long ago resolved never to part from it. He had visited it once or twice when quite a boy, and from that time it had lived in his memory as a pleasant recollection. To this spot he made up his mind that he would retire for awhile. Here he would shut himself up from the world, and, like King Arthur, “heal him of his wounds.” He confessed to himself that he was slightly hipped; a little at odds with Fortune. The ordinary objects and ambitions of his age, which, under other circumstances would probably have found him an eager partizan, had, for the present at least, lost their savour. He was not without friends—good friends, who would have been willing and able to help him on in any career he might have chosen to adopt, but just at that time all their propositions seemed equally distasteful to him. Ambition for the moment was dead within him. All he asked was to be allowed to drop quietly out of the circle of those who knew him, and cherish, or cure, in a solitude of his own seeking, those inward hurts for which Time is the sole physician. As it happened, the tenant of Gatehouse Farm was lately dead; there was, consequently, nothing to stand in the way of its immediate occupation by Lionel. It was neither a very picturesque nor a very comfortable residence, but sufficiently the latter to satisfy its owner’s simple wants. Its upper story consisted of four or five bedrooms. Downstairs was a large and commodious kitchen, together with a house-room, or, as we should call it, a parlour. This latter room was chosen by Lionel for his own particular den. It had white-washed walls, and two diamond-paned windows of dull thick glass, but the floor was made of splendid oaken Planks. The walls Lionel left as he found them, except that over the fireplace he hung a portrait of Edith, and his two favourite rifles; but on the floor he spread two or three skins of wild animals, trophies of his prowess in the chase. In a corner near the fireplace, handy to reach, were the twenty or thirty authors whom he had brought with him to be the companions of his solitude. In the opposite corner was the only article de luxe to be found in the house: a splendid cottage piano, of Erard’s build.