In the Dead of Night: A Novel. Volume 3 (of 3)Speight, T. W. (Thomas Wilkinson)
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In the Dead of Night: A Novel. Volume 3 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
In his cousin’s valet Lionel had found an instrument ready to his hand,
but it was not till after long hesitation and doubt that he made up his
mind to avail himself of it. The necessities of the case at length
decided him to do so. No one appreciated the value of a bribe better
than Dobbs, or worked harder or more conscientiously to deserve one.
There was a crooked element in his character which made whatever money
he might earn by indirect means, or by tortuous working, seem far
sweeter to him than the honest wages of everyday life. Kester St.
George was not the kind of man ever to try to attach his inferiors to
himself by any tie of gratitude or kindness. At different times and in
various ways he suffered for this indifference, although the present
could hardly be considered as a case in point, seeing that it was not
in the nature of Dobbs to resist a bribe in whatever shape it might
offer itself, and that gratitude was one of those virtues which had
altogether been omitted from his composition.
Late one afternoon, a few days after the interview between Lionel and
Dobbs, Kester St. George had his horse brought round, and rode out
unattended, and without leaving word in what direction he was going, or
at what hour he might be expected back. The day was dull and lowering,
with fitful puffs of wind, that blew first from one point and then from
another, and seemed the forerunners of a coming storm. Buried in his
own thoughts, Kester paid no heed to the weather, but rode quickly
forward till several miles of country had been crossed. By-and-by he
diverged from the main road, and turned his horse’s head into a
tortuous and muddy lane, which, after half an hour’s bad travelling,
landed him on the verge of a wide stretch of brown treeless moor, than
which no place could well have looked more desolate and cheerless under
the gray monotony of the darkening February afternoon. Kester halted
for awhile at the end of the lane to give his horse breathing time. Far
as the eye could see, looking forward from the point where he was
standing, all was bare and treeless, without one single sign of
habitation or life.
“Whatever else may be changed, either with me or the world,” he
muttered, “the old moor remains just as it was the first day that I can
remember it. It was horrible to me at first, but I learned to like
it—to love it even, before I left it; and I love it now—to-day—with all
its dreariness and monotony. It is like the face of an old friend. You
may go away for twenty years, and when you come back you know that you
will find on it just the same look that it wore when you went away. Not
that I have ever cared to cultivate such friendships,” he added, half
regretfully. “Well, the next best thing to having a good friend is to
have a good enemy, and I can thank heaven for granting me several
such.”
Public-domain text, read in full here on John Shaqi.
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