In the Dead of Night: A Novel. Volume 3 (of 3) — John Shaqi
In the Dead of Night: A Novel. Volume 3 (of 3)Speight, T. W. (Thomas Wilkinson)
General
In the Dead of Night: A Novel. Volume 3 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
It was not without a tremor, it was not without a faster beating of the
heart, that Kester took the bit of cracked looking-glass from the wall
and held it to the woman’s lips. His very life seemed to stand still
for a moment or two while he waited for the result. It came. The glass
clouded faintly. The woman was not dead. With a muttered curse Kester
dashed the glass across the floor and put back the candle on the
chimney-piece. Then he took up his hat. Where was the use of staying
longer? She could tell him nothing more when she should have come to
her senses than she had told him already: nothing, that is, of any
consequence; and as for details, he did not want them—at least, not
now. What he had been told already held food enough for thought for
some time to come. He paused for a moment before going out. Was it
really possible—was it really credible, that that haggard,
sharp-featured woman was his mother?—that his father had been a coarse,
common labouring man, a mere hedger and ditcher, who had lived and died
in that mean hut, and that he himself, instead of being the Kester St.
George he had always believed himself to be, was no other than the son
of those two—the boy whose supposed death he remembered to have heard
about when little more than a mere child?
Fiercely and savagely he told himself again and again that such a thing
could not be—that what Mother Mim had told him was nothing more than a
pack of devil’s lies—the invention of a brain weakened and distorted by
illness and the clouds of coming death. It was high time to go. He put
five sovereigns on the chimney-piece, went softly out, and shut the
door behind him. The girl was sitting on the low mud-wall near the
door, with the skirt of her dress drawn over her head as some
protection from the bitter wind. Her black, glittering eyes took him in
from head to foot as he walked up to her. “Go inside at once. She has
fainted,” said Kester. The girl nodded and went. Then Kester mounted
his horse and rode slowly homeward through the chilly twilight.
Bitterest thoughts held him as with a vice. When he came within sight
of the chimneys of Park Newton, he gave a sigh of relief, and put spurs
to his horse. “That is mine, and no power on earth shall take it from
me,” he muttered. “That and the money that comes with it. I am Kester
St. George. Let those disprove who can!”
A few nights later, as Lionel Dering was sitting in his dressing-room,
smoking a last cigar before turning in, there came three low, distinct
taps at the door, which he recognized as the peculiar signal of Dobbs.
It was nearly an hour past midnight, and in that early household every
one had been long abed, or, at least, had retired long ago to their own
rooms.
Lionel opened the door, and Dobbs slid softly in. Such visits were by
no means infrequent, but they were usually paid at a somewhat earlier
hour than on the present occasion.
“Come in, Dobbs,” said Lionel. “You are later to-night than usual.”
Public-domain text, read in full here on John Shaqi.
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