In the Dead of Night: A Novel. Volume 3 (of 3)Speight, T. W. (Thomas Wilkinson)
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In the Dead of Night: A Novel. Volume 3 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
The fountain itself, whatever it might have been in years long gone by,
was now nothing more than a confused heap of huge stones, overgrown
with lichens and creepers. From the midst of them, and from what had
doubtless at one time been a representation in marble of the head of a
leopard or other forest animal, but which now was almost worn past
recognition, trickled a thin stream of coldest water; which, falling
into a broken basin below, over-brimmed itself there, and was lost
among the cracks and interstices in the masses of broken masonry that
lay scattered around.
“You had better, perhaps, wait here,” said Lionel to Dobbs, as they
halted for a moment at the entrance to the avenue.
Dobbs did as he was bidden, and Lionel advanced alone, keeping well
within the shade of the trees. When within a dozen yards of the
fountain, he halted and waited. The low, ceaseless monotone of the
falling water was the only sound that broke the moonlit silence.
From out the dense shadow of the trees on the opposite side of the
avenue, and as if he himself were part of that shadow, Kester St.
George slowly emerged. In the middle of the avenue, and in the full
light of the moon, he paused. His right hand was thrust into the bosom
of his vest, as if he were hiding something there. Standing thus, he
seemed, as it were, to shrink within himself. Still hugging that hidden
something, he seemed to listen—to listen as if his very life depended
on the act. Then, with a slow, creeping motion, as though his feet were
weighted with lead, he stole towards the fountain. He reached it. He
grasped the stonework with one hand, and then he turned to gaze, as
though in dread of some hidden pursuer. Then slowly, almost
reluctantly, he seemed to draw something from within his vest, and,
while still gazing furtively around him, he thrust his arm, elbow deep,
into a crevice in the masonry, let it rest there for a single moment,
and then withdrew it. With the same furtively restless look, and ears
that seemed to listen more intently than ever, he paused for an
instant. Then he stole swiftly back across the moonlit avenue, and so
vanished among the black shadows from whence he had come.
So natural had been his actions, so unstudied his every movement, that
it seemed impossible to believe that he was indeed asleep.
Public-domain text, read in full here on John Shaqi.
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