As one stops to decipher the inscriptions upon this boulder the sense of distance is entirely lost, and the traveller finds himself trying to compare it with that other obelisk in Central Park, New York. As he thinks about them, the truth comes gradually to him that there can be no comparison, since the one is a masterpiece from the hand of Nature and the other is but a work of art. These formations are not really rock, but of a hard marle substance, and while each is far remote from the others, the same colored strata is seen in all of them, showing conclusively that once upon a time the surface of the ground in that region was many feet higher than it was in 1852 or than it is today, and that by erosion or upheaval large portions of the soil were displaced and carried away, these three chunks remaining intact and as specimens of conditions existing many centuries ago. I have been through the art galleries of our own country and through many of those in Europe; I have seen much of the natural scenery in the Old World as well as in the New; but not once have I seen anything which surpassed in loveliness and grandeur the pictures which may be seen throughout Nature's gallery in Nebraska and through which the trail of '52 led us. Landscapes, waterscapes, rocks, and skies and atmosphere were here found in the perfection of light, shadow, perspective, color, and effect. Added to these fixed features were those of life and animation, contributed by herds of buffalo grazing on the plains, here and there a bunch of antelope galloping about, and everywhere wolf, coyote, and prairie dog, while a quaint and picturesque charm came from the far-reaching line of covered wagons and the many groups of campers, each with its own curl of ascending smoke, which, to the immigrant, always indicated that upon that particular patch of ground, for that particular time, a home had been established.