In the Firing Line: Stories of the War by Land and SeaAdcock, Arthur St. John
History
In the Firing Line: Stories of the War by Land and Sea
Adcock, Arthur St. John
World War, 1914-1918
“I am in the field hospital now, with a nice little hole in my left
shoulder, through which a bullet of one of the War Lord’s military
subjects has passed,” writes a wounded Frenchman to a friend in
London. “My shoulder feels much as if some playful joker has touched
it with a lighted cigar.... It is strange, but in the face of death
and destruction I catch myself trying to make out where the shell has
fallen, as if I were an interested spectator at a rifle competition.
And I was not the only one. I saw many curious faces around me, bearing
expressions full of interest, just as if the owners of the respective
faces formed the auditorium of a highly fascinating theatrical
performance, without having anything to do with the play itself. The
impression crossed my mind in one-thousandth part of a second, and was
followed by numerous others, altogether alien from the most serious
things which were happening and going to happen. The human mind is
a curious and complicated thing. Now that we were shooting at the
enemy, and often afterwards in the midst of a fierce battle, I heard
some remark made or some funny expression used which proved that the
speaker’s thoughts were far from realising the terrible facts around
him. It has nothing to do with heartlessness or anything like that.
I don’t know yet what it is. Perhaps I shall have an opportunity to
philosophise on it later on.”
There is a curious comment in a letter from Sergeant Major MacDermott,
who writes during the great retreat from Mons, when everybody had
become inured to the atmosphere of the battlefield.
“We’re wonderfully cheerful, and happy as bare-legged urchins
scampering over the fields,” he says, and adds, “It is the quantity
not the quality of the German shells that are having effect on us, and
it’s not so much the actual damage to life as the hellish nerve-racking
noise that counts for so much. Townsmen who are used to the noise of
the streets can stand it a lot better than the countrymen, and I think
you will find that by far the fittest are those regiments recruited in
the big cities. A London lad near me says it is no worse than the roar
of motor-buses in the City on a busy day.”
But the most graphic and minutely detailed picture of the psychic
experiences of a soldier plunged for the first time into the
pandemonium of a modern battle is given in the _Retch_ by a wounded
Russian artillery officer writing from a St. Petersburg hospital.
“I cannot say where we fought, for we are forbidden to divulge that,
but I will tell you my own experiences,” he says. “In times of peace
one has no conception of what a battle really means. When war was
declared our brigade was despatched to the theatre of operations.
I went with delight, and so did the others. When we reached our
destination we were told that the battle would begin in the morning.
Public-domain text, read in full here on John Shaqi.
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