“As we advanced, he noticed that the front door was standing open, and
with an exclamation of surprise, hastened toward it and closed it. Then
he rapped twice on the door of what was apparently the drawing-room.
There was no reply to his knock, and he tapped again, and then timidly,
and cringing subserviently, opened the door and stepped inside. He
withdrew himself at once and stared stupidly at me, shaking his head.
“‘She is not there,’ he said. He stood for a moment gazing blankly
through the open door, and then hastened toward the dining-room. The
solitary candle which still burned there seemed to assure him that the
room also was empty. He came back and bowed me toward the drawing-room.
‘She is above,’ he said; ‘I will inform the Princess of the Excellency’s
presence.’
“Before I could stop him he had turned and was running up the staircase,
leaving me alone at the open door of the drawing-room. I decided that
the adventure had gone quite far enough, and if I had been able to
explain to the Russian that I had lost my way in the fog, and only
wanted to get back into the street again, I would have left the house on
the instant.
“Of course, when I first rang the bell of the house I had no other
expectation than that it would be answered by a parlor-maid who would
direct me on my way. I certainly could not then foresee that I would
disturb a Russian princess in her boudoir, or that I might be thrown out
by her athletic bodyguard. Still, I thought I ought not now to leave
the house without making some apology, and, if the worst should come,
I could show my card. They could hardly believe that a member of an
Embassy had any designs upon the hat-rack.
“The room in which I stood was dimly lighted, but I could see that, like
the hall, it was hung with heavy Persian rugs. The corners were filled
with palms, and there was the unmistakable odor in the air of Russian
cigarettes, and strange, dry scents that carried me back to the bazaars
of Vladivostock. Near the front windows was a grand piano, and at the
other end of the room a heavily carved screen of some black wood,
picked out with ivory. The screen was overhung with a canopy of silken
draperies, and formed a sort of alcove. In front of the alcove was
spread the white skin of a polar bear, and set on that was one of those
low Turkish coffee tables. It held a lighted spirit-lamp and two gold
coffee cups. I had heard no movement from above stairs, and it must have
been fully three minutes that I stood waiting, noting these details of
the room and wondering at the delay, and at the strange silence.
Public-domain text, read in full here on John Shaqi.
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