In the Footprints of the PadresStoddard, Charles Warren
History
In the Footprints of the Padres
Stoddard, Charles Warren
California -- Description and travel; San Francisco (Calif.)
How did a man kill time in those days? There was a studio on Alvarado
Street; it stood close to the post-office, in what may be generously
denominated as the busiest part of the town. The studio was the focus of
life and hope and love; some work was also supposed to be done there. It
was the headquarters of the idle and the hungry, and the seeker after
consolation in all its varied forms. Choice family groceries were
retailed three times a day in the rear of the establishment; and there
we often gathered about the Bohemian board, to celebrate whatever our
fancy painted. Now it was an imaginary birthday--a movable feast that
came to be very popular in our select artistic circle; again it was the
possible--dare I say probable?--sale of a picture at a quite
inconceivable price. There were always occasions enough. Would it had
been the case with the dinners!
The studio was the thing,--the studio, decked with Indian trophies and
the bleached bones of sea birds and land beasts, and lined with studies
in all colors under heaven. Here was the oft-lighted peace-pipe; and
Orient rugs and wolf-skins for a _siesta_ when the beach yonder was a
blaze of white and blinding light, that made it blessed to close one's
eyes and shut out the glare--and to keep one's ears open to the lulling
song of the sea.
Here we concocted a plan. It was to be kept a profound mystery; even the
butcher was unaware, and the baker in total darkness; as for the
wine-merchant, he was as blind as a bat. We were to give the banquet and
ball of the season. We went to the hall of our sisters,--scarcely kin
were they, but kinder never lived, and their house was at our disposal.
We threw out the furniture; we made a green bower of the adobe chamber.
One window, that bore upon the forlorn vacuum of the main street, was
speedily stained the deepest and most splendid dyes; from without, it
had a pleasing, not to say refining, medieval effect; from within, it
was likened unto the illuminated page of an antique antiphonary--in
flames; yes, positively in flames!
A great board was laid the length of the room, a kind of Round
Table--with some few unavoidable innovations, such as a weak leg or two,
square corners, and an unexpected depression in the centre of it, where
the folding leaves sought in vain to join. From the wall depended the
elaborate _menu_, life-size and larger; and at every course a cartoon in
color more appetizing than the town market. The emblematic owl blinked
upon us from above the door. Invitations were hastily penned and sent
forth to a select few. Forgive us, Dona Jovita, if thy guest card was
redolent of tea or of brown soap; for it was penned in the privacy of
the pantry, and either upon the Scylla of the tea-caddy or the soapy
Charybdis it was sure to be dashed at last.
Public-domain text, read in full here on John Shaqi.
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