In the Footprints of the PadresStoddard, Charles Warren
History
In the Footprints of the Padres
Stoddard, Charles Warren
California -- Description and travel; San Francisco (Calif.)
It was rare fun, if I did say it from the foot of the flower-strewn
table, clad in an improvised toga, while a gentleman in Joss-like
vestments carved and complimented in a single breath at the top of the
Bohemian board. From the adjoining room came the music of hired
minstrels: the guitar, the violin, and blending voices--a piping tenor
and a soft Spanish _falsetto_. They chanted rhythmically to the clatter
of tongues, the ripple of laughter, and the clash of miscellaneous
cutlery.
An unbidden multitude, gathered from the highways, and the byways,
loitered about the vicinity, patiently--O how patiently!--awaiting our
adjournment. The fandango naturally followed; and it enlivened the vast,
bare chambers of an adjoining adobe, whose walls had not echoed such
revelry since the time when Monterey was the chief port of the Northern
Pacific, and basked in the sunshine of a prosperous monopoly. A good
portion of the town was there that evening. Shadowy forms hovered in the
arbors of the rose garden; the city band appeared and rendered much
pleasing music,--though it was rendered somewhat too vigorously. That
band was composed of the bone and sinew of the town. Oft in the daytime
had I not heard the flageolet lifting its bird-like voice over the
counter of the juvenile jeweller, who wrought cunningly in the
shimmering abalone shells during the rests in his music? Did not the
trombone bray from beyond the meadow, where the cooper could not barrel
his aspiring soul? It was the French-horn at the butcher's, the fife at
the grocer's, the cornet in the chief saloon on the main street; while
at the edge of the town, from the soot and grime of the smithy, I heard
at intervals the boom of the explosive drum. It was thus they responded
to one another on that melodious shore, and with an ambitious diligence
worthy of the Royal Conservatory.
Public-domain text, read in full here on John Shaqi.
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