Algeria -- History -- 1830-1962; France. Armée. Légion étrangère; Rosen, Erwin, 1876-1923
With wondering eyes I surveyed the men in the canteen and the canteen
itself. The smoke of many hundreds of cigarettes filled the place with
a heavy bluish vapour. The noise was indescribable. One had to yell to
be understood by one's neighbour, a quietly spoken word would have been
lost in the turmoil. Everybody was yelling and everybody seemed to be
in high glee. The légionnaires were having what they considered a good
time. They jumped on the tables, kicking and dancing, jingled their
glasses, threw empty bottles about and made fun of everybody and
everything. Every minute the uproar increased. These hard-faced,
hard-eyed men were like children at some forbidden game, trying to get
as much fun as possible while the teacher was away.
Suddenly a man with a wonderfully clear and strong voice began singing
a love-song. Noise and tumult ceased at once. I listened in amazement.
A légionnaire sang for his comrades, in a beautiful tenor voice, in a
voice reminding me of great singers I had heard long ago. A poor devil
of a légionnaire possessed a voice many a singer would have envied. He
sang a French song, every verse closing pitifully:
L'amour m'a rendu fou....
The song of a lover who had loved and lost, a song of love and ladies,
of love's delights and love's misery, sung in the canteen of the
Foreign Legion.
With burning eyes I looked at the listening throng of men in red and
blue until I saw nothing but their shadowy outlines like a far-away
_fata Morgana_--I was lost in a dream of memories.
Absolute quiet reigned. The song held these men of rough life and
rougher manners spellbound; the glorious mellow voice, now clear as a
trumpet, now low and sweet as a woman's caress, must have appealed to
every heart. The song was at an end:
L'amour m'a rendu fou....
For a moment, for a few seconds, all remained hushed. And then one
would think that these men were ashamed of having been so soft-hearted.
A légionnaire jumped on a table and yelled:
"Silence.... No more fool songs for us! Vive le litre!"
"Le litre!" ... a hundred men roared. The shouting and the uproar and
the noise commenced anew. Blacky, the negro, had come in and was soon
dancing the dance of his race. He was a master of the turnings and
twistings of the cake-walk. There were universal yells of appreciation
as he bent backwards, high-stepping grotesquely. Blacky was much
applauded and seemed to be a very happy nigger. Madame la Cantinière
did a roaring trade. The copper pieces were continually jingling on the
tin-covered surface of the bar. La Cantinière was a very busy woman
this evening, passing many hundreds of wine bottles to her thirsty
clientèle of légionnaires. Glasses were broken, pieces of glass lay
everywhere on the tables and on the floor, and here and there little
red pools of wine had formed. The fun grew fast and furious and the
noise almost unbearable.
My friend the bugler had emptied glass after glass and was in high good
humour.
Public-domain text, read in full here on John Shaqi.
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