In the long winter afternoons I sat by the big wood fire in the back
parlor and hemmed towels and napkins—when I wasn’t pulling out
yesterday’s work because Great-aunt Virginia found the stitches too big:
and I looked out at the cold, bare hills, blue and beautiful against the
pale sky, and longed to play over them like the winds, and to be whirled
up into the air like the brown leaves which scurried about them all
winter long. And in the spring, when the budding branches draped the
trees with jewelled mists, all silver and green and gold and ruby-red, I
wished the great-aunts had learned to play on the grass with their whole
selves, instead of just with their fingers on the big old rosewood
piano, which stood stiff and square in the front parlor, an instrument
of torture to rebellious hands that longed to be pulling wild-flowers,
and to ears tuned to catch the songs of birds. And in summer time, when
the rain blotted out the hills, and every leaf of every tree sang the
Song of the Rushing Winds; when the lightning ran zig-zag all over the
sky and the thunder jarred the house—oh, why should great-aunts call
one indoors, and shut the free winds out, and put cotton in their ears,
and make little girls come away from the windows, and the chimneys, and
every place where they wanted to be, instead of leaving them out in the
rain to be drenched like the flowers and shake themselves dry like the
birds?
And in autumn—but those memories are too painful! On frosty days the
house was shut tight, the log fires kindled, and my small person swathed
in insufferable flannels—flannels!—in a Tennessee October! And when I
rebelled, there were fearsome tales of children who had died of
pneumonia, or gone into consumption, because their misguided relatives
had allowed them to play outdoors in the cold.
And yet outdoors was never more beautiful. Some of the hills were far
and blue, and some were near and green, or brown with stubble, or yellow
with stalks of corn. The grass in the pasture was greenest green; and
when I slipped out on the back porch the sycamores down by the brook
rustled their drying leaves and called me as loud as they dared. And the
doves flew by in flocks, and the killdeers whirred up from the valley
with wild, free cries, and the field-larks sang on the fence-posts, or
lighted on the short, sweet grass, the white of their outer tail
feathers shining in the sun. But Great-aunt Letitia would call me back
to the parlor, where she made tea, which she and Great-aunt Virginia
drank, sitting in rosewood arm-chairs, dressed in soft shimmering silks,
with cobwebby lace about their throats.
I myself balanced unhappily upon one of the big square ottomans, too
small to get far enough back on it to have any purchase against the
slippery horsehair, and painfully conscious of Great-aunt Virginia’s
eyes on my awkwardly swinging feet. I kept my place as best I could,
holding a bit of egg-shell china, and sipping my odious cambric tea.
Public-domain text, read in full here on John Shaqi.
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