_February 12th._ The mocking-birds have a constant fascination for
me—the charm of a complex nature which touches life on many sides. One
can know a robin by heart in a single season, and predict with one’s
eyes shut the doings of any one of the tribe; but a mocking-bird is a
different proposition.
His song throbs with the pure joy of living. It is the song of one in
the world and of it, and rejoicing so to be; yet there is in it a
haunting suggestion of aloofness, of mystery, of something beyond one’s
ken. It is as if his joy had deeper foundations than sunshine and
plenty; as if he had lived through pain, clear to the other side of it,
and learned that it, too, is good.
His powers of mimicry, I think, are greatly exaggerated. He does not
really sing other birds’ songs, as his cousin, the catbird, does; he
merely experiments with their notes—a stave from a thrasher here, a
light-flung oriole measure there, a thrush note, piercing sweet, a bit
of the wren’s summer trill. It is as if he would try life on all sides
and look at it from every point of view; his ear is keen for the music
from every throat. But always, through all this imaginative performance,
he clings to the integrity of his own message. One may hear a catbird
for an hour, and, unless one sees the blithe gray mime among the leaves,
never suspect his real identity. But all a mocking-bird’s borrowed notes
are woven into the texture of his own song, which wholly claims him as
the melody rises, sweeping him with it bodily up to heaven, and carrying
the listener’s heart with him. His is the rapture of open vision,
feathered mystic that he is.
Now, a bird like that one would expect to be a recluse, dwelling apart
in cloistered green, afar from his fellows and from mankind; but the
mocking-bird flatly declines that rôle. He is a bird of affairs,
friendly and neighborly withal, a haunter of men’s doorways and
house-vines, and a public-spirited citizen who rejoices to succor the
oppressed. For he has a fine, full-fledged temper of his own, and any
amount of fighting blood. He rarely seeks a quarrel; but if one be
thrust upon him, either by aggressions attempted upon his own rights or
by the call of another bird in distress, he accepts the combat with
alacrity, and carries it joyously to a triumphant conclusion. And three
minutes after the enemy is routed his voice floats down from the highest
perch in the vicinity as if he were singing at heaven’s gate. He has
fought for all he is worth, yet not a feather of his spirit is ruffled.
* * * * *
_February 15th._ When I can catch Grumpy and call him to his face by his
right name, he always disappears; but blue devils are so very clever at
disguising themselves, and at concentrating one’s attention on their
instruments of torture!
Public-domain text, read in full here on John Shaqi.
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