He was a vivid youth, and without him the place down by the river would
have been bleak and dreary. But because Grant was in the world, the
rusty old phaeton in which Amos and Mary rode daily from the farm to
their work, gradually bedecked itself with budding childhood blooming
into youth, and it was no longer drab and dusty, but a veritable chariot
of life. When Grant was a sturdy boy of eight, little Jasper Adams came
into this big bewildering world. And after Grant and his gardenful of
youth were gone, Jasper's garden followed. And there was a short season
when the two gardens were growing together. It was in that season while
Grant was just coming into shoeblacking and paper collars, that in some
indefinite way, Laura Nesbit, daughter of the Doctor and Bedelia
Satterthwaite, his blue blooded Maryland wife, separated herself from
the general beauty of the universe and for Grant, Laura became a
particular person. In Mary Adams's note book she writes with maternal
pride of his fancy for Laura: "It is the only time in Grant's life when
he has looked up instead of down for something to love." And the mother
sets down a communication from Socrates through the planchette to Amos,
declaring that "Love is a sphere center"--a message which doubtless the
fond parents worked into tremendous import for their child. Though a
communication from some anonymous sage called the Peach Blow
Philosopher, who began haunting Amos as a familiar spirit about this
time recorded the oracle, also carefully preserved by Mary in her book
among the prophecies for Grant that, "Carrots, while less fragrant than
roses, are better for the blood." And while the cosmic forces were
wrestling with these problems for Grant and Laura, the children were
tripping down their early teens all innocent of the uproar they were
making among the sages and statesmen and conquerors who flocked about
the planchette board for Amos every night. For Laura, Grant carved tiny
baskets from peach-pits and coffee beans; for her he saved red apples
and candy globes that held in their precious insides gorgeous pictures;
for her he combed his hair and washed his neck; for her he scribbled
verses wherein eyes met skies, and arts met hearts, and beams met dreams
and loves the doves.
Public-domain text, read in full here on John Shaqi.
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