A silence greeted the Captain's remarks. In it the "Stones of Venice" grew bleak and cold for Grant Adams. He rose and walked rather aimlessly toward the water cooler in the rear of the store and gulped down two cups of water. When he came back to the bench the group there was busy with the Captain's news. But the music did not start again. Morty Sands sat staring into the pearl inlaid ring around the hole in his mandolin, and his chin trembled. The talk drifted away from the Captain's announcement in a moment, and Morty saw Grant Adams standing by the door, looking through a window into the street. Grant seemed a tower of strength. For a few minutes Morty tried to restore his soul by thrumming a tune--a sweet, tinkly little tune, whose words kept dinging in his head: "Love comes like a summer sigh, softly o'er us stealing; Love comes and we wonder why, at love's shrine we're kneeling!" But that only unsteadied his chin further. So he tucked his mandolin under his arm, and moved rather stupidly over to Grant Adams. To Morty, Grant Adams, even though half a dozen years his junior, represented cousinship and fellowship. As Morty rose Grant stepped through the open door into the street and stood on the curb. Morty came tiptoeing up to the great rawboned youth and whispered: "Grant--Grant--I'm so--so damned unhappy! You don't mind my telling you--do you?" Grant felt the arm of his cousin tighten around his own arm. Grant stared at the stars, and Morty gazed at the curb; presently he drew a deep sigh and said: "Thank you, Grant." He relaxed his hold of the boy's arm and walked away with his head down, and disappeared around the corner into the night. Slowly Grant followed him. Once or twice or perhaps three times he heard Morty trying vainly to thrum the sad little tune about the waywardness of love. CHAPTER IX WHEREIN HENRY FENN MAKES AN INTERESTING EXPERIMENT